The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.Written by
In the brief scene where Jeremy Irons is speaking to his gaffer through a megaphone in order to lower a light, the voice of the gaffer is David Lynch. See more »
The ambulance guys, they say: "What the fuck happened here?" I say: "He come to a reapin' what he had been sowin', that's what." They say: "Fucker been sowing some kind of heavy shit..."
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Written by Witold Lutoslawski
Performed by Antoni Wit and the National Polish Radio Symphony Orchestra
Published by G. Schirmer, Inc. (ASCAP)
Courtesy of Naxos of America See more »
One of the few films to actually scare me - a wild, beautiful trip
I just saw the NY premier of Inland Empire, and it was so refreshing to once again be transported in a way only David Lynch can transport somebody. Inland Empire is Lynch at his best - funny, thoughtful, eerie, beautiful, dark, deeply disturbing, and terrifying in a way that few horror films have ever affected me. The film is a slow burn, taking its time (about 3 hours), leaping through realities and bizarre encounters, continually keeping the audience asking themselves what reality they are experiencing, and what that reality means.
Laura Dern gives an outstanding performance as the tagline's "girl in trouble." She goes to places I don't ever remember seeing her go, from the naive to the terrifying, truly exposed. I've heard Lynch is campaigning for an Oscar nod for Ms. Dern, so maybe this is the one. She really blew me away.
This film - like all of Lynch's endeavors - is certainly not for everyone. It's vague, bizarre, jumps all over the place, and at times is deeply frightening (one of the few films in a long time to actually give me nightmares), but in my opinion it's also truly beautiful, almost serene. If you like a linear, clear-cut story, then don't see this film. If you appreciate non-linear, surreal drama/horror, however, then by all means go see it. Lynch is independently producing this, so I know he's banking on a lot of word of mouth for Inland Empire to be successful. Help him out. It's a fantastic film.
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