In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
A social housing block on the brink of demolition. Those seeking a way out of their misery jump from the roof, those unable to find a home elsewhere, land one here. In this small, high-rise community, where indifference reigns supreme.
Mimoun En Driss Azahaf,
Adrienne En Jozef Baeyens-Horion,
Noël En Kitana Coppens
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.Written by
Tarsem Singh claims that there are no visual effects in the film despite its surreal imagery. Everything was shot on real locations. However, there are about a dozen people credited as visual effects in the credits. See more »
Early in the movie, in the scene where the brothers are riding across the Charles Bridge in Prague, present-day city buses are clearly visible to the right, on the far side of the river. See more »
For the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films (Animals) Act 1937. See more »
Its been 5 days since i saw this film now, and I'm still thinking about it. It achieves an intense feeling of epic grandeur with its fantasy scenes, which are visually mesmerising. The casting was excellent, i thought the acting was very good, especially since all the actors/actresses are fairly unknown, especially the girl who plays Alexandria - an incredibly natural performance; this can probably be attributed to Tarsem's approach.
This film will make you laugh and cry simultaneously and has a profound effect on the viewer.
I actually found viewing it somewhat humbling, i just tried to appreciate it tot he best of my ability.
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