In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.Written by
Apart from the movie poster based on the Salvador Dali painting, the mask on the face of the bandit (which is shown on the face of the girl as well on multiple occasions) could also be a tribute to the same painting. See more »
Early in the movie, in the scene where the brothers are riding across the Charles Bridge in Prague, present-day city buses are clearly visible to the right, on the far side of the river. See more »
[suspicious Alexandria is not translating correctly for her mother]
Alexandria, did she just ask me a question?
No, it's just how we talk.
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For the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films (Animals) Act 1937. See more »
I saw this film in the Toronto Film Festival and was somewhat surprised by how much I enjoyed it, and the extent to which I was engaged in the reality that it creates. Catinca Untaru's performance is heartwarming and completely captivating, a truly lovable child-star whose appeal is based upon her authenticity and talent as opposed to her ability to bat her eyelids or wrinkle her nose. Her relationship with Roy (Lee Pace) is touching to behold and more importantly, entirely believable. Of course, as expected with Tarsem Singh as a director the film is visually stunning, featuring Baraka-like eye candy, which in itself deserves rave reviews and as a subsidiary to the story creates something quite spectacular. The use of worldwide locations allowed Tarsem to share some truly beautiful images with the viewers, and teamed with Catinca's acting left the audience as putty in his hands, laughing and crying as he wished.
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