In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
A social housing block on the brink of demolition. Those seeking a way out of their misery jump from the roof, those unable to find a home elsewhere, land one here. In this small, high-rise community, where indifference reigns supreme.
Mimoun En Driss Azahaf,
Adrienne En Jozef Baeyens-Horion,
Noël En Kitana Coppens
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.Written by
For the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films (Animals) Act 1937. See more »
I saw this film recently at a test screening. For me it worked brilliantly on so many levels. Not the least of which is in it's originality. This is a film unlike any other and one that kept me thinking about it for days afterward. Director Tarsem Singh, as expected,delivers every scene as a work of beauty, and peppers the film throughout with visual surprises. But The Fall is about much more than eye candy. High adventure, spectacular vistas, love, betrayal, and two lead actors who develop a relationship that is actually moving in more than a superficial way. Think David Lean as filtered through Jean-Pierre Jeaunet. The Fall is simply Tarsem Singh's love letter to cinema.
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