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The first film in Pedro Costa's transformative trilogy about Fontainhas, an impoverished quarter of Lisbon, Ossos is a tale of young lives torn apart by desperation. After a suicidal ... See full summary »
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Inês de Medeiros,
Isaach De Bankolé,
Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very... See full summary »
Inês de Medeiros
Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to ... See full summary »
Manoel de Oliveira
Cécile Sanz de Alba,
Luís Miguel Cintra
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After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past. (from Wikipedia)Written by
Some films make you happy, some films make you cry, and some film make you really really bored. This is one in the last category. I saw this film on the International Film Festival Rotterdam and it was the first film ever I walked out of. I really wanted to see this film, but after 30 minutes I couldn't help falling asleep. Luckily someone woke me up. Looking around I saw dozens of people sleeping. Halfway through the film my friends wanted to leave and, honestly, I didn't mind.
The films consists of very static, long takes, focusing on the very dreary lives of the main characters, who are trying to get their lives back together. The images are bereft of all liveliness, with their coarse grain, little colour and bad lighting. Most of the scenes take place in only a few areas ans nothing seems to happen, apart from useless conversations going on forever. Where some films are capable of making an interesting story about subjects as boredom (e.g. 25 Watts) or decay, the part of this film I saw hardly aroused any of my senses. Perhaps the only interesting thing about the atmosphere in the film is the claustrophobic, closed-in feeling that it evokes.
"Art films", if it can be called a genre, can be great.. but only go see this when you need some sleep!
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