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4.9/10
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Robert Carmichael is a talented cello player in the town of Newhaven. He becomes associated with several other unsavory teenagers and he is soon tempted into the use of hard drugs like cocai... Read allRobert Carmichael is a talented cello player in the town of Newhaven. He becomes associated with several other unsavory teenagers and he is soon tempted into the use of hard drugs like cocaine and ecstasy.Robert Carmichael is a talented cello player in the town of Newhaven. He becomes associated with several other unsavory teenagers and he is soon tempted into the use of hard drugs like cocaine and ecstasy.
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Steph de Whalley
- Siobhan
- (as Stephanie de Whalley)
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As another poster has written, it's a shame that all many will talk about is the final scene. Before the last ten minutes I experienced a low-key, beautiful and thoroughly engaging piece of work.
Little gems include a shared silence between three young leads on a lonely beach, the fantastic and underused Lesley Manville checking herself in front of a mirror before going out, and the quiet disdain a father has for his eldest, just released from prison.
It also features a scene which I believe shocks the audience in an intelligent way; rather than have anything thrust into our faces, we just hear something at a party, behind a wall, and imagine what it looks like. We don't need to see. Compare that with the final ten minutes, and you have a subtle and often moving story almost completely ruined by a talented young director's need to shock.
Little gems include a shared silence between three young leads on a lonely beach, the fantastic and underused Lesley Manville checking herself in front of a mirror before going out, and the quiet disdain a father has for his eldest, just released from prison.
It also features a scene which I believe shocks the audience in an intelligent way; rather than have anything thrust into our faces, we just hear something at a party, behind a wall, and imagine what it looks like. We don't need to see. Compare that with the final ten minutes, and you have a subtle and often moving story almost completely ruined by a talented young director's need to shock.
So they hyped the violence and it's been branded as sick. Well, the violence is the best bit I'm afraid, but unfortunately the characters are not developed enough to allow us to understand why they go on their (entirely predictable) rampage. This film has a truly dreadful script. We never get a chance to get to know Robert and his actions at the end are just plain pathetic. The acting isn't much better, either, the worst of them being the TV chef and the school teacher. The direction is clumsy, the pace enough to send you to sleep. And what on earth is the school film project all about? A comment on the film itself perhaps? The use of newsreel during the climactic murder is laughable. These guys obviously think they're intellectuals but are hopelessly out of their depth. How on earth they got the great Yorgos Arvanitis to light it I'll never know. And how they got the money to make it in the first place is an even greater mystery. Absolutely awful beyond comprehension.
I am not unfamiliar with movies about rape, torture and violence. Even "Irreversible" makes some kind of sense to me, but this movie just feels so forced. Watching this, I got that whole way of filming; distant and cold. But even with movies like this, there is supposed to be some kind of.. level, where you can touch the material. And this film fell flat. I didn't get anything from this. Am I supposed to feel horrified for the sake of lost Youth? War happens, so let's get rapey and murderous? What the a f? Undeveloped characters and plot are my pet peeves and this film had both. So... NO.
I saw this movie on the film festival of Rotterdam (jan '06) and followed the discussion between director and public afterwards. Many people reacted shocked and protesting. He will get a lot of negative critics. But: the world is cruel like this, and it's not funny. People don't like it. That itself doesn't mean that the movie is bad. I can see that difference. Don't shoot the messenger that shows us the world outside our 'hubble'! Nevertheless I think this a bad movie. Film-technically it's a good one. Nice shots and script, most good fitting music, great actors. The director pretends to make a psychological movie, - the psychology however is of poor quality. Describing such a powerful violence itself is not the art. The art would be a powerful description of the psychological process behind that violence. How does a shy boy come to such a cruelty? The director pretends to describe that, - but is not good in that.
The director used several times the word the 'selfishness' of people, mentioning for instance the teacher. Only: this teacher wasn't selfish,- just someone in several roles, caring for his pupils, ánd worried about his script. I think it's a simplification to call him selfish. The atmosphere in the village is creepy, and the mother made awful mistakes ('you terribly let me down ') but it doesn't become believable for me, that there is caused súch a lot of pain, that the shyest boy comes to such terrible things. In fact, reality is far more complex than the way, this film describes and it needs far better descriptions. The interesting thing would be: how does it work? Describe that process for me please, so that we understand.
With the written phrase on the end, the director said to point to an alternative way of life. It was the other extreme, and confirmed for me that director and scriptwriter are bad psychologists, promoting black/white-thinking. The connection between violence in films and in society has been proved. Use such a violence gives the responsibility to use it right. There are enough black/white-thinkers in the world, causing lots of war and misery. I hope, this movie won't be successful.
The director used several times the word the 'selfishness' of people, mentioning for instance the teacher. Only: this teacher wasn't selfish,- just someone in several roles, caring for his pupils, ánd worried about his script. I think it's a simplification to call him selfish. The atmosphere in the village is creepy, and the mother made awful mistakes ('you terribly let me down ') but it doesn't become believable for me, that there is caused súch a lot of pain, that the shyest boy comes to such terrible things. In fact, reality is far more complex than the way, this film describes and it needs far better descriptions. The interesting thing would be: how does it work? Describe that process for me please, so that we understand.
With the written phrase on the end, the director said to point to an alternative way of life. It was the other extreme, and confirmed for me that director and scriptwriter are bad psychologists, promoting black/white-thinking. The connection between violence in films and in society has been proved. Use such a violence gives the responsibility to use it right. There are enough black/white-thinkers in the world, causing lots of war and misery. I hope, this movie won't be successful.
This will be a quick review because this film does not warrant anything in depth. The characters are shallow with barely no backstory or progressive development. Teens maybe one could be as old as 20 who comes home from jail do a couple horrible things to a girl and a adult couple, merely because they're psychotic adolescents. I actually enjoy disturbing movies when they have substance or a storyline atleast but the problem with this is no type of penalty or reaction is shown no follow up to what just happened the movie just ends with the most moronic quote I ever read that has nothing to do with what just took place. Terrible waste of time. Crazy dummies may believe they can pull something like this off with out getting life in prison or worse.
Did you know
- SoundtracksConcerto In E Minor For Violoncello and Orchestra
Written by Edward Elgar
Performed by Dorothy Stringer Orchestra
- How long is The Great Ecstasy of Robert Carmichael?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Великий экстаз Роберта Кармайкла
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- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was The Great Ecstasy of Robert Carmichael (2005) officially released in Canada in English?
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