The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Two mutant brothers, Logan and Victor, born two hundred years ago, suffer childhood trauma and have only each other to depend on. Basically, they're fighters and killers, living from war to war throughout U.S. history. In modern times, a U.S. Colonel, Stryker, recruits them and other mutants as commandos. Logan quits and becomes a logger, falling in love with a local teacher. When Logan refuses to rejoin Stryker's crew, the Colonel sends the murderous Victor. Logan now wants revenge.Written by
SPOILER: There are two scenes set after the closing credits. The film's main post-credits scene is of the Deadpool, still alive after being decapitated, reaching for his head, leading into Deadpool (2016). An alternate post-credits scene seen (only on the DVD) is of Wolverine in a Japanese bar, leading into The Wolverine (2013). During the original theatrical run, which scene you saw was random depending on your theater; the home video version features the Deadpool scene after the credits and the Japanese bar scene is available on the two-disc DVD as a deleted scene. See more »
German theatrical version was cut by the distributor before submission to the FSK to secure a "Not under 16" rating (the killing of the old couple is shortened, you don't see Wolverine igniting the gasoline). Ironically, the uncut version, submitted for the home video release, was rated "Not under 16" as well, thus rendering the cut theatrical version completely unnecessary. See more »
Tie A Yellow Ribbon 'Round The Ole Oak Tree
Written by L. Russell Brown and Irwin Levine
Performed by The Romantic Strings & Orchestra
Courtesy of The Reader's Digest Association, Inc.
By Arrangement with The Orchard See more »
Wolverine isn't Bad, but it's not as good as it could've been
I'll state my credentials up front: I'm a chick. I have read X-Men comics in my past, but it's been years. I don't remember every detail of every relationship and back story, so I'm not a huge X-men expert. I LOVED the original X-Men movie and X2.
I was so excited when I heard they were making a Wolverine movie. He and Gambit were my two favorite characters from the comics, and Wolverine was by far the best written and one of the best acted characters in the X-Men franchise. I thought, "This should be good!" I counted down the days until it came out. And I went to the theatre, and came out not disappointed, but not excited either. It was a middle-of-the-road movie, which seemed to not know what it wanted to be. But I would say go see it if you're an X-Men or Hugh Jackman fan.
The main crime committed in Wolverine is in the writing. I always say writers don't get enough credit on a good movie. But no amount of good acting (pretty much everyone in Wolverine does well with what they're given) and okay directing can cover up crappy writing like this. The script was all over the place. It didn't have any of the jaunty yet edgy feel of the first two X-Men movies. Wolverine's wisecracks and smart wit were all but forgotten. That would've maybe been okay if they had chosen to make Wolverine the dark, nearly evil character that he was supposed to have been before he lost his memory. But they didn't. He was neither good nor evil. This was ambivalent Wolverine. Kind of Emo Wolverine. Not above doing bad, but not really into it because it made him Feel Bad. No really interesting lines or plot points either way. The writers didn't seem to even know how to develop the relationship between Wolverine and Sabertooth. And was the love story put in by the studio just to satisfy us chicks who wouldn't go a see a comic-book movie without it? If so, the studio did us a great disservice, because if you wanted to make a story about Wolverine the lover (which, hey, I would go see), this movie wasn't that either.
And when I saw in the trailer that Gambit was in the movie, too, I was thrilled! Gambit in a movie, at last! But here he is, the underdeveloped and kind of confusing Gambit. Couldn't he at least have had his New Orleans accent? The cards were cool, but he was mostly underutilized and didn't feel like Gambit that much.
The movie does have some good moments in it where you actually say, "Yes!" I'm not putting spoilers, so I won't tell you what they are, but for me, they made the movie worth seeing. While I wouldn't put it anywhere on my worst-movie list, I wouldn't rank it with X-Men and X2 on my favorites list, either.
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