A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.
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Title: Io, Don Giovanni (2009)
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4 nominations.
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Cast
| Cast overview, first billed only: | |||
| Tobias Moretti | ... | Giacomo Casanova | |
| Eulàlia Ramon | ... | Nobildonna | |
 |
Sergi Roca | ... | Lorenzo giovane |
|
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Anna Saura Ramón | ... | Bambina battezzata (as Anna Saura) |
|
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Francesco Barilli | ... | Vescovo |
| Lorenzo Balducci | ... | Lorenzo Da Ponte | |
| Elena Cucci | ... | Francesca Barbarigo | |
|
|
Sebastiano Lo Monaco | ... | Barbarigo |
| Sylvia De Fanti | ... | Tipoletta | |
|
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Javier Munzò | ... | Giocatore |
| Franco Interlenghi | ... | Padre di Annetta | |
|
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Emilia Verginelli | ... | Annetta |
| Lino Guanciale | ... | Wolfgang Amadeus Mozart | |
|
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Cristina Giannelli | ... | Caterina Cavalieri / Donna Anna |
| Ketevan Kemoklidze | ... | Adriana Ferrarese / Donna Elvira | |
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Plot Summary
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Storyline
A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.
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Details
Release Date:
23 October 2009 (Italy) See more »Also Known As:
I, Don Giovanni See more »Edit
Box Office
Budget:
$10,000,000 (estimated)Company Credits
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Technical Specs
Runtime:
|Color:
ColorAspect Ratio:
2.35 : 1
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Composto, orchestrato e diretto da Roque Baños
Percussioni: Pedro Estevan
Flauti: Jaime Muñoz
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CarnavalComposto, orchestrato e diretto da Roque Baños
Percussioni: Pedro Estevan
Flauti: Jaime Muñoz
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The film concerns the making of Mozart's opera Don Giovanni, from the point of view of the librettist, Lorenzo da Ponte. It portrays the main events and characters in the opera as a reflection of da Ponte's own life. I don't know if this is true historically, but it doesn't matter. As an artistic proposition, the idea is legitimate.
As a lover of the actual opera, I expected little of this film but was favorably surprised. The film captures the exceptional mixture of drama and frivolity in the opera itself. In an understated manner, it also does justice to the tormented figure of Mozart and his extraordinary mixture of joie de vivre and tragedy.
The photography, dealing with eighteenth-century material from a modern perspective, is simply breathtaking. So is the pace of events, which again is a reflection of the innovations in this respect in the opera itself.
Highly recommended, especially if you love the opera.