Former musician and gunslinger El Mariach arrives at a small Mexican border town after being away for a long time. His past quickly catches up with him and he soon gets entangled with the local drug kingpin Bucho and his gang.
Joaquim de Almeida
Marv is unconscious on a highway surrounded by corpses. When he awakes, he has amnesia and tries to recall his last steps from the Kadie's saloon on the Saturday night. He recalls that he found four playboys burning a homeless man alive and defended the poor man. Marv hunts them down and kills the group. The cocky gambler Johnny hits jackpot in slot machines in the Kadie's saloon and invites the waitress Marcie to go with him to play poker game against the powerful Senator Roark. He wins the game and suffers the consequence of his arrogance. The private detective Dwight McCarthy is contacted by his former lover Ava Lord that asks to meet him at the Kadie's saloon. Ava asks him for forgiveness for leaving him to marry the wealthy Damian Lord. However her strong chauffeur Manute takes her home. Dwight snoops around Ava's house but is found and beaten by Manute and the bodyguards. When he returns home, Ava is waiting for him naked in the bed and seduces him again. Then she tells that ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the dancing scene before Nancy talks with the dead John Hartigan, she dances to a song that was also featured in Criminal Minds: True Night (2007). The episode shows Frankie Muniz playing a graphic novelist who creates graphic novels similar to the way the segments in the movie are shown. The episode also includes a Frank Miller quote at the end of the episode. See more »
Nancy states that in the first Sin City, Hartigan killed himself by sticking a gun in his mouth and shooting. He actually shot himself in the forehead. See more »
Metal screams. Something hits me square in the chest. There's no up or down. I don't weigh a thing.
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Robert Rodriguez's credit for cinematography and editing is displayed as "Shot and cut by Robert Rodriguez". See more »
Unfortunately they used all the best stories in the first one
Sin City: A Dame to Kill For is not a bad idea on paper. Frank Miller's Sin City universe is a rich and interesting setting, and as the first Sin City film proved, it translates to the silver screen beautifully. Unfortunately they decided to stick all the best stories into the first film, thus guaranteeing its success, but leaving the possible sequel without much material to use. Not that the stories used here are bad, they're just not as great as the ones used in the first one. Tellingly Miller was actually called back to write two new stories exclusively for the film. It shows.
However, there is one exception. The story named A Dame to Kill For. Considered to be one of the better stories in the original comic books, it's a good thing they still had one such story to wrap their movie around. And it is awesome. Just as good as the stories in the original film with same great quality acting, hardcore action and brutal visuals. No complaints.
The second adaptation story, Just Another Saturday Night, is really nothing more than an Ode to Marv (Mickey Rourke), and that's okay in my books. It doesn't have much of a plot, and the supporting characters are nonexistent, but it's a good opening piece.
The Long Bad Night, the first of the new stories, works because of its actors. Both Joseph Gordon-Levitt and Powers Boothe have amazing screen presence and as they're pitted against one another throughout the night the stakes keep getting higher and higher, with satisfying results. A fine story and I could see this as an original Sin City story.
Nancy's Last Dance, our last story, is unfortunately the weakest story by far. They clearly wanted to give Jessica Alba something more to chew with her character, but it just doesn't have that edge. You don't buy it. Still not awful, merely average.
Aside from the material, the biggest problem is the common sequel problem where they want to do the same that worked so well in the original, but with more oomph. Here it means more colour spliced into the black-n-white, and it's very distracting. The original used colour carefully, for emphasis, for popping up important details. Here it seems that every single frame has a splotch of colour in it, usually for no reason, they just wanted colour in their frames. And thus the distinct visual style of Sin City is shattered.
All in all Sin City: A Dame to Kill For is not a bad film by any means. It's disappointing, certainly, but only because I love the first film so much, and wanted more of that greatness, no matter how impossible it is to achieve. Still, a great movie to check out if you're a fan, but don't expect miracles.
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