Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Anne Hathaway and Daniel Sunjata would go on to costar in "The Dark Knight Rises"; however, they share no scenes. See more »
When Miranda is telling Andy that she is getting divorced, Andy's sitting position keeps changing. One moment the camera is on her and she is sitting with her legs crossed, the next they are uncrossed. See more »
I saw TDWP on the week it came out, and although I wasn't surprised that it became such a big box-office hit, the glowing reviews it got are beyond my comprehension. Granted, 2006 wasn't the strongest year for movies, but we had at least 10 or 15 better movies and the fact that the National Board of Review included this on their top 10 list is pretty ridiculous. It's nothing more than an average romantic comedy with some above the average performances (read: Meryl Streep, Emily Blunt and Stanley Tucci, all of them steal the show from beautiful but bland leading lady Anne Hathaway), and a nice but predictable satire to the fashion world. As much as I love Streep, I wouldn't give her another Oscar nomination for this (Annette Bening in "Running With Scissors" - a pretty bad movie, but her performance is glorious - or Maggie Gyllenhaal in "SherryBaby", just to name a couple, were better), but then again, she could play a door and the Academy would still recognize her. Gorgeous Brazilian Gisele Bündchen got US$350 grand to appear in 2 brief scenes and proved (again) that, as an actress, she's a fabulous supermodel. If she had to act for a living, she'd be starving now. When you think of so many wonderful actresses who are waiting tables in NYC to pay the rent, this is even sadder...
Anyway, I digress. All in all, marginally enjoyable with some funny moments/good acting, but nothing too special. 5/10.
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