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The Devil Wears Prada (2006)

PG-13 | | Comedy, Drama | 30 June 2006 (USA)
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A smart but sensible new graduate lands a job as an assistant to Miranda Priestly, the demanding editor-in-chief of a high fashion magazine.

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Writers:

(screenplay), (novel)
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752 ( 122)

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Cast

Cast overview, first billed only:
... Miranda Priestly
... Andy Sachs
... Emily
... Nigel
... Christian Thompson
... Nate
... Lily
... Doug
... James Holt
... Richard Sachs
... Stephen
... Irv Ravitz
... Jocelyn
Jimena Hoyos ... Lucia
... Serena
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Storyline

In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

High fashion, low cunning - and the boss from hell. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

30 June 2006 (USA)  »

Also Known As:

El diablo viste a la moda  »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$27,537,244, 2 July 2006, Wide Release

Gross USA:

$124,740,460

Cumulative Worldwide Gross:

$326,551,094
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Meryl Streep's daughter, Mamie Gummer, played a Starbucks clerk, but her scene was cut for pacing. See more »

Goofs

In the first part of the movie, Andy buys a bagel from the bakery. When she is crossing the street, there is no sign of the bagel. But in the next shot of her going down the stairs, she's eating the bagel again. See more »

Quotes

[first lines]
Nate: Good luck.
See more »

Crazy Credits

The credits have a sheen on them, like they've been given a coat of polish. See more »

Connections

Referenced in Hewy's Animated Movie Reviews: Gnomeo and Juliet (2011) See more »

Soundtracks

Blue at Couch
Written and Performed by Kenji Nakamura
Courtesy of Non Stop Music, Inc.
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User Reviews

 
A great adaptation of an alright book.
1 July 2006 | by See all my reviews

For the past month or so, I have been eagerly awaiting this movie. I love Meryl Streep, I like Anne Hathaway, I though the world of magazine publishing could make a great setting for a movie, and I thought the premise of the book 'The Devil Wears Prada' had a lot of movie potential. So, now that I've seen it, I have to say it is one of the funniest movies I've seen this year. The screenwriter has maintained everything that was funny about the book, as well as chucked a lot of the duller subplots, and has formulated a movie that is a great deal more enjoyable than the book.

I'm sure you're all familiar with the basic premise - naive small-town girl comes to the big city hoping to be a journalist, and gets a job as assistant to Miranda Priestly, the much-feared editor of 'Runway' magazine (a thinly veiled take on 'Vogue' magazine, and its editor). Thankfully, the cast was almost perfect (though I did think Simon Baker was somewhat miscast at the rakish writer who takes a liking to the protagonist, Andrea), and elevated the movie to a level it would not have otherwise reached.

Meryl Streep is absolutely amazing as Miranda Priestly, and I especially liked the way that, as Miranda, she never raised her voice above normal speaking level. Streep has said she based this mannerism on Clint Eastwood, who as Dirty Harry talks very quietly but still intimidates. This made Miranda much more interesting than the stereotypical, screaming gorgon she could have become. She is certainly the best thing about this movie, and I think the odds are good that she'll score a best-actress nod at the next Oscars. Miranda is also made more complex (and slightly more sympathetic) than in the book, which I thought was very good. In the book, which I recently read, the author (who actually worked as an assistant to 'Vogue' editor Anna Wintour) was very bitter and whiny about the difficulties of her former job, and she made Miranda out to be a totally two-dimensional villain with absolutely no redeeming qualities. However, the movie shows us (briefly) a different side of Miranda - we see the compromises she has had to make to get to the top, and we see the toll this has taken on her personal life. We aren't made to agree with her diva-like behaviour, but we can understand how hard her life must be.

I also thought that Anne Hathaway was very appealing in her role - she made Andrea more likable and less snobbish than she was in the book (although the screenwriter deserves credit for that, as well), and she looked great in the couture she wore through most of the movie.

The supporting players were also very good, especially Emily Blunt (as Andrea's caustic fellow assistant, Emily) and Stanley Tucci (as Miranda's loyal but beleaguered right-hand man, Nigel). On many occasions, they stole scenes from the ostensibly 'central' character of Andrea.

The movie, while maintaining the book's premise, does not follow the book too closely, which I liked. The entire 'Lily' subplot from the book is eliminated (readers of the book will know what I mean), and Andrea's parents and boyfriend are less significant in the movie than in the book. I agreed with these changes, though - I found those aspects of the book to be quite boring, and their omission made for a more streamlined movie.

I strongly recommend this movie to virtually anyone, and I just hope "The Nanny Diaries" (another somewhat-similar 'chick lit' movie adaptation, coming out soon with Scarlett Johannson, that I am eagerly awaiting) lives up to the shining example of this excellent movie.


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