The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to ... See full summary »
Koistinen is a sad sack, a man without affect or friends. He's a night-watchman in Helsinki with ideas of starting his own business, but nothing to go with those intentions. He sometimes talks a bit with a woman who runs a snack trailer near his work. Out of the blue, a young sophisticated blonde woman attaches herself to Koistinen. He thinks of her as his girlfriend, he takes her on her rounds. She's in league with a crook who's planning a jewel robbery, and Koistinen is their patsy. Will he ever wise up?Written by
[Worried that Koistinen will squeal]
He'll talk. He'll tell them about me.
Koistinen will never betray you. He's loyal as a dog, a sentimental fool. My genius lies in understanding that.
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Lights in the Dusk is another in the series of movies about Finnish life that contain the same elements; deadpan dialog, subtle humor, stubborn protagonists, semi-happy endings. If you're into this style of film, you'll really like it. However, it's an acquired taste, not for everyone.
Our anti-hero is a security guard, caught up in a criminal plot, ultimately taken advantage of by a beautiful femme fatale but redeemed by the love of a good woman. That sounds like a simple plot, but as seen in the movie it's anything but simple.
I've seen references to a trilogy, mentioning this film along with Man Without A Past and Drifting Clouds. That seems to ignore Match Factory Girl, which fits right in with the rest. I've seen most of Kaurismaki's work and liked everything, I really groove to the retro style, the deadpan acting, the plots which seem simple but are in fact very complicated.
If you like Kaurismaki, or are in the mood for something different, check it out. At the very least you'll remember it and think about it.
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