The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
Director:
Aki Kaurismäki
Stars:
Markku Peltola,
Kati Outinen,
Annikki Tähti
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
Director:
Aki Kaurismäki
Stars:
Kati Outinen,
Matti Pellonpää,
Kirsi Tykkyläinen
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that ... See full summary »
Director:
Aki Kaurismäki
Stars:
Pirkka-Pekka Petelius,
Esko Salminen,
Kati Outinen
After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to ... See full summary »
Koistinen is a sad sack, a man without affect or friends. He's a night-watchman in Helsinki with ideas of starting his own business, but nothing to go with those intentions. He sometimes talks a bit with a woman who runs a snack trailer near his work. Out of the blue, a young sophisticated blonde woman attaches herself to Koistinen. He thinks of her as his girlfriend, he takes her on her rounds. She's in league with a crook who's planning a jewel robbery, and Koistinen is their patsy. Will he ever wise up?Written by
<jhailey@hotmail.com>
Suomen Filmikamari, which selects the Finnish candidate for Academy Awards Best Foreign-Language Picture, had already chosen Laitakaupungin valot in September 2006, but in October 2006 Aki Kaurismäki informed them that he did not want his film considered for that competition. This also meant that there was no Finnish entry in the Academy Awards pre-selection. See more »
Aki Kaurismaki has an instinctive knack of laying down a story. He also presents the interest of being on the margins of life in a marginal country. Think of "Hamlet Goes Business". But in "Lights in the Dusk", Kaurismaki goes Kafka. He leans toward the fable, a genre hard to make into a decent movie. This one follows an honest loser to disaster. The character only manages to crawl out of the pit at the last minute by finally accepting partnership with another, more cautious loser. Visually splendid the film shows us Helsinki in all its modern, hard-edged, hostility, and together with the acting has a flawless unity of style. A.K.'s quirky humor is much less in evidence than usual though you might call a joke the fact that the loser's life in jail is roughly like his existence before he goes inside and after he comes out. Indeed the only time we see him socially at ease and smiling is in the prison yard when spring comes to Helsinki.
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Aki Kaurismaki has an instinctive knack of laying down a story. He also presents the interest of being on the margins of life in a marginal country. Think of "Hamlet Goes Business". But in "Lights in the Dusk", Kaurismaki goes Kafka. He leans toward the fable, a genre hard to make into a decent movie. This one follows an honest loser to disaster. The character only manages to crawl out of the pit at the last minute by finally accepting partnership with another, more cautious loser. Visually splendid the film shows us Helsinki in all its modern, hard-edged, hostility, and together with the acting has a flawless unity of style. A.K.'s quirky humor is much less in evidence than usual though you might call a joke the fact that the loser's life in jail is roughly like his existence before he goes inside and after he comes out. Indeed the only time we see him socially at ease and smiling is in the prison yard when spring comes to Helsinki.