3 user 48 critic

Most látszom, most nem látszom (2005)

1:40 | Trailer
It seemed like an ordinary day. Dad is experimenting in the lab, Mom is at home boiling water, while their six year old son, Alex is playing around her. But this day is different. This day ... See full summary »


Attila Szász


Attila Szász
10 wins. See more awards »



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Credited cast:
Ernõ Fekete Ernõ Fekete ... Dad
Dóra Létay Dóra Létay ... Mom
Vitéz Ábrahám Vitéz Ábrahám ... Alex


It seemed like an ordinary day. Dad is experimenting in the lab, Mom is at home boiling water, while their six year old son, Alex is playing around her. But this day is different. This day Dad brings something home from the lab. And the next morning...Alex becomes invisible. Written by Anonymous

Plot Summary | Add Synopsis


What would you do if your child became invisible?


Drama | Short | Thriller







Release Date:

30 April 2005 (USA) See more »

Also Known As:

Now You See Me, Now You Don't See more »

Filming Locations:

Budapest, Hungary

Company Credits

Production Co:

Extreme Film See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


This 30 minute short was shot in six days. The editing also took exactly six days - from first touch to final cut. Not a single frame was changed after that. See more »


Mom: Whatever you've done to him, undo it.
Dad: I can't.
See more »

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User Reviews

A long-overdue review of a film that deserves recognition.
25 March 2006 | by avianchaosSee all my reviews

This movie is an incredible mesh of storytelling and style.

I first saw this film at a festival in Texas, and I was immediately blown away. The camera work in "Now You See Me, Now You Don't" is a thing of slow beauty, in tune not only with the haunting use of light, but also with the revelations contained within the story. The camera plays the role of a character that truly encompasses the viewing experience, unlike most films where the viewer is an omniscient third party simply watching things happen. Szasz blows out the windows in many of the shots, using white light and sterile environments to bring out the humanity in his characters. The story throws you for a loop - Szasz pulls you in one direction, giving you evidence upon evidence that all seems to add up, only to surprise the viewer by skillfully revealing the true reasons behind these strange events. The climactic scene is as emotionally powerful as it is aesthetically beautiful.

The only bad thing I can say about this film is that a few of the people I've shown it to didn't fully understand the ending. However, I never felt any confusion after watching it, and most people responded as I did. Szasz doesn't dumb down the story for you; he leaves a gap and expects the viewer to make the logical connections. He is subtle without being vague. All in all, you will be hard pressed to find a better way to spend 30 minutes of your life than watching this film.

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