A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
In the funeral of the famous British journalist Joe Strombel, his colleagues and friends recall how obstinate he was while seeking for a scoop. Meanwhile the deceased Joe discloses the identity of the tarot card serial killer of London. He cheats the Reaper and appears to the American student of journalism Sondra Pransky, who is on the stage in the middle of a magic show of the magician Sidney Waterman in London, and tells her that the murderer is the aristocrat Peter Lyman. Sondra drags Sid in her investigation, seeking for evidences that Peter is the killer. However, she falls in love with him and questions if Joe Strombel is right in his scoop.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the very beginning, a group of journalists are at a bar table discussing their friend (Ian McShane) and his accomplishments, very similar to the old comics at the delicatessen in Woody's 1984 comedy, Broadway Danny Rose, talking about the title character (Allen) in the same conversational fashion. See more »
There were several scenes where Scarlett Johansson's lapel mike radio frequency transmitter strapped on her waist behind her is visible. See more »
Don't mourn for Joe Strombel. Joe Strombel had a full life. A newspaper man in the best tradition. A great credit to the Fourth Estate. It didn't matter if the bombs of the war zone were falling, it didn't matter how high up the political scandal went, or how many big corporations or small time racketeers leaned on him. Whatever the risk, if there was a story there, Joe went after it. And he usually got it.
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I went to the movie theater this afternoon expecting to be underwhelmed by Scoop. Happily, the film exceeded expectations, at least a little bit. It's nothing heavy, nothing deep -- and not anywhere as good as any number of real Allen masterpieces -- but it's also completely enjoyable as a light, bantering comedy. There's something kind of simple and sweet about it. "Cute" was the word I heard from people in the audience as they were walking out after the show. It doesn't feel like Allen set out to create a masterpiece here, it feels like he wanted to make a little comedy and have fun doing it. Compared to just about everything Hollywood is producing, Allen's stuff has a tendency to charm. Even the fluffy stuff. These days it's just refreshing to go to a movie made by an actual human being.
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