Scoop (2006)

An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.

Director:

Woody Allen

Writer:

Woody Allen

Stars:

Scarlett Johansson, Hugh Jackman, Jim Dunk

2 nominations.

Cast

Cast overview, first billed only:
Jim Dunk	...	Funeral Speaker
Robert Bathurst	...	Strombel's Co-Workers
Geoff Bell	...	Strombel's Co-Workers
Christopher Fulford	...	Strombel's Co-Workers
Nigel Lindsay	...	Strombel's Co-Workers
Ian McShane	...	Joe Strombel
Fenella Woolgar	...	Jane Cook
Pete Mastin	...	Death (as Peter Mastin)
Doreen Mantle	...	Joe's Co-Passengers
David Schneider	...	Joe's Co-Passengers
Meera Syal	...	Joe's Co-Passengers
Kevin McNally	...	Mike Tinsley (as Kevin R. McNally)
Robyn Kerr	...	Tinsley's Fans
Richard Stirling	...	Tinsley's Fans
Scarlett Johansson	...	Sondra Pransky

Storyline

In the funeral of the famous British journalist Joe Strombel (Ian McShane), his colleagues and friends recall how obstinate he was while seeking a scoop. Meanwhile, the deceased Joe discloses the identity of the tarot card serial killer of London. He cheats Death (Pete Mastin) and appears to the American student of journalism Sondra Pransky (Scarlett Johansson), who is on the stage in the middle of a magic show of the magician Sidney Waterman (Woody Allen) in London, and tells her that the murderer is the aristocrat Peter Lyman (Hugh Jackman). Sondra drags Sid in her investigation, seeking for evidence that Peter is the killer. However, she falls in love with him and questions if Joe Strombel is right in his scoop.

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Plot Keywords:

implied sex | swimsuit | serial killer | strong female lead | scantily clad female | 

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Taglines:

The perfect man. The perfect story. The perfect murder.

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Genres:

Comedy | Crime | Mystery

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Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content

Details

Country:

UK USA

Language:

English

Release Date:

28 July 2006 (USA)

Also Known As:

Untitled Woody Allen Fall Project 2006

Filming Locations:

CityPoint, Moorgate, London, England, UK

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$3,046,924, 30 July 2006, Limited Release

Gross USA:

$10,525,717, 28 September 2006

Cumulative Worldwide Gross:

$39,215,642, 28 September 2006

Company Credits

Production Co:

BBC Films, Ingenious Film Partners, Phoenix Wiley

Technical Specs

Runtime:

96 min

Sound Mix:

Dolby Digital (Mono)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Second movie where Woody Allen's character used the term "sincere sensation", the first being Manhattan (1979). In this movie, it's genuine, referring to a British audience. In Manhattan (1979), he was being annoyed and ironic towards a pushy Diane Keaton.

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Goofs

Peter never asks Sondra how she got into his secure room to find the Tarot cards under the French Horn. (However it's conceivable he believed she saw him enter it when they entered the room earlier.)

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Quotes

[first lines]
Funeral Speaker: Don't mourn for Joe Strombel. Joe Strombel had a full life. A newspaper man in the best tradition. A great credit to the Fourth Estate. It didn't matter if the bombs of the war zone were falling, it didn't matter how high up the political scandal went, or how many big corporations or small time racketeers leaned on him. Whatever the risk, if there was a story there, Joe went after it. And he usually got it.

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Connections

Referenced in Cleanflix (2009)

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Soundtracks

Annen Polka
Composed by Johann Strauss (as Johann Strauss Jr.)
Performed by Wiener Johann Strauss Orchester (as The Vienna Strauss Orchestra)
Joseph Francek, Conductor
Courtesy of Delta Entertainment Corporation

User Reviews

The critics didn't get the "Scoop" on this one

Reading a wide variety of "Scoop" reviews over the past few days, I walked into the theater prepared for a subpar outing from Woody. Happily, I couldn't have been more wrong. Granted, Woody the performer is slowing down a touch or two, but Woody the writer/director is in fine form - and found a credible way to integrate his 70-year old self into the story. Judging from the laughter and guffaws, the audience ate up Allen's one-liners and dialogue in a way that I haven't seen in several years.

In a movie landscape dominated by software-approved story arcs, twentysomething tastes and assembly-line formula fare for kiddies, it's a source of both satisfaction and inspiration to see Allen pursuing his highly personal and still-rewarding path.