| Cast overview, first billed only: | |||
|
|
Jim Dunk | ... | Funeral Speaker |
| Robert Bathurst | ... | Strombel's Co-Workers | |
| Geoff Bell | ... | Strombel's Co-Workers | |
| Christopher Fulford | ... | Strombel's Co-Workers | |
| Nigel Lindsay | ... | Strombel's Co-Workers | |
| Ian McShane | ... | Joe Strombel | |
| Fenella Woolgar | ... | Jane Cook | |
|
|
Pete Mastin | ... | Death (as Peter Mastin) |
| Doreen Mantle | ... | Joe's Co-Passengers | |
| David Schneider | ... | Joe's Co-Passengers | |
| Meera Syal | ... | Joe's Co-Passengers | |
| Kevin McNally | ... | Mike Tinsley (as Kevin R. McNally) | |
|
|
Robyn Kerr | ... | Tinsley's Fans |
|
|
Richard Stirling | ... | Tinsley's Fans |
| Scarlett Johansson | ... | Sondra Pransky | |
In the funeral of the famous British journalist Joe Strombel (Ian McShane), his colleagues and friends recall how obstinate he was while seeking a scoop. Meanwhile, the deceased Joe discloses the identity of the tarot card serial killer of London. He cheats Death (Pete Mastin) and appears to the American student of journalism Sondra Pransky (Scarlett Johansson), who is on the stage in the middle of a magic show of the magician Sidney Waterman (Woody Allen) in London, and tells her that the murderer is the aristocrat Peter Lyman (Hugh Jackman). Sondra drags Sid in her investigation, seeking for evidence that Peter is the killer. However, she falls in love with him and questions if Joe Strombel is right in his scoop. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Reading a wide variety of "Scoop" reviews over the past few days, I walked into the theater prepared for a subpar outing from Woody. Happily, I couldn't have been more wrong. Granted, Woody the performer is slowing down a touch or two, but Woody the writer/director is in fine form - and found a credible way to integrate his 70-year old self into the story. Judging from the laughter and guffaws, the audience ate up Allen's one-liners and dialogue in a way that I haven't seen in several years.
In a movie landscape dominated by software-approved story arcs, twentysomething tastes and assembly-line formula fare for kiddies, it's a source of both satisfaction and inspiration to see Allen pursuing his highly personal and still-rewarding path.