A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.Written by
The film's original Spanish title is "The Labyrinth of the Faun." It was retitled "Pan's Labyrinth," after the goat-human nature god Pan, in English-speaking countries, German-speaking countries, Scandinavia, The Netherlands, and Croatia. Guillermo del Toro said that he felt the Faun is just a normal faun and that Pan himself was too dark and sexual for a fairytale starring an eight-year-old girl. See more »
When Vidal slices the mirror with the razor, the shaving cream is disturbed by finger marks in one shot while in all others it is smooth. See more »
A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
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The title and the names of the actors and the production staff are not shown until the end of the film. See more »
I saw the movie yesterday in the Spanish premiere and I confirm: it's one of the best Guillermo del Toro's films (if not the best ever). Innocence and brutality, fantasy and reality, together in a wonderful fairy tale about the power of magic in dark times. The performances are great, mainly from Sergi López, Maribel Verdú and the big revelation of the film: the 12 years girl Ivana Baquero. Del Toro repeats the context of the film "El Espinazo del Diablo" ("The Devil's Backbone"), the Spanish Post-Civil War, with the same philosophy: the supernatural invading the daily life in a depressive environment and the innocence of children trapped between both world. But "El Laberinto del Fauno" is most compact, most mature and best done in very aspects, and perhaps it's the most personal movie from Del Toro.
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