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After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.Written by
Also on the supplementary disc of the Platinum Series DVD, Guillermo del Toro indicates that the film is quilted with a pattern of threes. He mentions that this was intentionally done so as to evoke a greater sense of fairy tales and mythological traditions, both of which typically feature a hero or heroine existing among threes; for instance, "the three tasks". See more »
After the car stops for Carmen at the start of the film, Carmen gets back into the car first followed by Ofelia who is sitting on the right hand side as they drive off. When the car arrives at the mill Carmen gets out of the car from the right hand side followed by Ofelia. See more »
A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
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The title and the names of the actors and the production staff are not shown until the end of the film. See more »
Everyone's been raving about this. My opinion doesn't differ too much. It did however suffer slightly from the overwhelmingly high expectations I'd developed based on how brilliant everyone said it was, and the whole "20min ovation at Cannes" thing. Really, who stands for that long? That said, it's an amazing work.
Skipping the plot recap (find the briefest synopsis you can if you need to be filled in), I'll go straight to the tech specs. I'm not a huge Del Toro fan, Cronos was interesting but lacked something for me. Mimic was dross. Hellboy was enjoyable and Ron Perlman is always great on screen. But here, the director really outdoes himself. By far. He has wrapped together some amazing elements and somehow maintains a balance, that doesn't tip into the mundane or the ridiculous for a moment. And this is no mean feat. The story is part historical drama, part fantasy, part family melodrama. When it dips out of the fantasy, it still enchants.
Sergi Lopez and Maribel Verdú really drive the story in the historical drama scenes. I haven't seen Lopez in anything other than a film called Lisbon, in which he played a character so completely opposite from the Captain. He is a fierce and terrifying guy but actually comes across as sympathetic in a couple of scenes. Verdu is incredible as Mercedes, the head housekeeper (or something) who is Ofelia's closest friend in the house. The scenes with these characters and the civil war subplot never fail to hold your attention. Ivana Baquero is excellent as the main character Ofelia, her performance is very mature and believable and she shares some beautiful scenes with her mother and Mercedes.
When the fairy tale elements return, it's astounding how naturally they fit into the story. I think that is the real magic of this film. The war drama and the fairy tale stem so naturally from each other.
One thing that most reviews haven't mentioned is the violence. I think it's been firmly established that this is an adult's fairytale, but at times it is a very intense and brutal film. There are a couple of scenes in particular which are very disturbing and difficult to watch. These do not distract from the tone and theme of the film however so they don't seem exploitative at all. If you are squeamish, it may get a bit much for you.
A final and obvious point I spose I can't get away without making: the set design, costumes and effects are superb. That's all.
I was perhaps expecting a little more fantasy, but the unique blend of genres is absolutely compelling. There wasn't a false note anywhere or a plot hole, which are too often present in fantasy films. I can't recall a good, original fantasy film from recent years. Fortunately this blows MirrorMask out of the water. It doesn't share any of the contrivances, vagueness or ineffectual characters with that film.
I just wish I'd seen it without already having read so much. I've tried very hard to not reveal any plot details at all as it does go to some surprising and unexpected places. Fortunately most of the reviews have done the same. I'd urge anyone with the chance to see it to do so immediately, and try not to read too much more.
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