Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
A drifter enters a small town looking for employment. While working at the local cattle ranch, he meets and falls in love with the beautiful Kitty and becomes involved in a deadly yet erotic love triangle.
The sins of the fathers. In a town near Little Rock, Lucy Fowler works hard for a construction firm; on weekends she drinks, goes home with someone, and come early morning, wakes and leaves as fast as she can. She cares a lot about her father, newly back in town, a painfully shy man who has nothing to say to her. She does go to a Holy Roller church with him about the same time that she starts, fitfully, a relationship with Cal Percell, new in town and a good guy. She kisses him sober, but still has demons to confront. What's the source of her careless ways; can she turn coal into a diamond?Written by
GET BACK TO LOVING ME
Performed by Jim Chestnut
Written by Steve D. Collom
Published by Sony/ATV Milene Music (ASCAP)
Courtesy of Sony/ATV Music Publishing LLC
d/b/a Hickory Records See more »
Joey Lauren Admans "Come Early Morning" seems almost like a continuation of the film that made its star, Ashley Judd, famous, Victor Nunez' "Ruby in Paradise." Both pictures are about girls trying to make a life for themselves in small southern towns, but Lucy, the protagonist of "Early Morning" is at least a decade older than Ruby. That is why it seems almost to be the next chapter in Ruby's story.
The decade has not treated the protagonist well. Where as Ruby was a sort of wide eyed innocent, Lucy is now a woman whose journey through life is encumbered by a lot of baggage.
She has problems relating to men on a romantic level, seeing them as either cold and unresponsive like her father or just mean and domineering like some of the other men in her family and the slugs she picks up in local bars.
So, somewhat predictably, when she meets a nice guy, she rejects him enough times that he eventually moves on.
Ashley Judd is such a fine, appealing actress that she keeps you glued to the screen, despite the somewhat predictable plot twists. But there is something about the screenplay which fails, for I never had much faith in her character, who in many ways seemed as emotionally bottled up as her father.
And that's the film's failure. "Ruby" ended on a hopeful note, if for no other reason than that the central character was smart, resourceful and had her whole life ahead of her. "Come Early Morning's" protagonist faces a cloudy future and while the film showed guts in admitting that, it didn't leave you wanting to see more of Lucy the way the earlier film made you want more of Ruby.
Nice try by everyone involved, but it was just too dark a picture in many ways.
One final note. So many films these days have no significant subplot. Lucy had some kind of construction business, but it was so downplayed that in the end, when she takes over the business, we don't exactly know how big an achievement that is, or if it really means more to her than just taking on harder work for no real pay off.
This film could have been more effective had her career or some other aspect of her life been more fully developed so that she faced some real test there as well. Subplots are important in that they give stories and their protagonists depth. And of course, the stakes always need to be higher for the protagonist, to make us care.
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