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In cold Lapland Finland, under the eternal midnight sun, two ardent lovers reunite once again after a long period apart, governed by a powerful and eloquent circular motif woven by destiny, faith, and love. Can they deny their destiny?
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Based on a novel by Lorenzo Silva, this movie deals with the unusual and tragic relationship between a frustrated businessman and a 14-year-old student. After crashing into the rear of the ... See full summary »
The teenager artist Ana is raised in Ibiza by her German father Klaus in a naturalist lifestyle in a cave. One day, she meets a woman called Justine that invites Ana to move to Madrid, offering education and economical support, to live in an old house with other artists having classes of Arts and with the only commitment of studying. Ana befriends her mate Linda (Bebe) and falls in love for the problematic Said, having her first sexual experience with him. After a period together, Said leaves Ana, and then she is hypnotized by Anglo, discovering her past lives and deaths.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
María Valverde was long time attached to the leading role of this film, but some differences arose between her and director Julio Medem, and she left the project. This is a matter the actress has refused to comment on in several interviews. See more »
Having now seen all six of Medem's DVDs in his Spanish released "Collection", I was worried that this last one, would be rubbish. Other reviews and reviewers hint at such but I found it utterly intense and mesmerising.
Anyone having seen more than one of Julio's films knows that logic often disappears and an adult fantasy awaits. Beautiful sexuality, strange and exotic visuals, stunning landscapes and a chequerboard of interlocking story pieces that sometimes sort of connect. I loved not knowing what was going to happen next, or who Ana's next incarnation was going to be.
Instead of trying to make sense of it all, just light a candle of two, turn out the lights and let it overwhelm you. This is a director of immense imagination and he has the guts to follow them through and onto film. The ravishing paintings done by his late sister alone are worth seeing.
Here in the U.K., I've not seen any of the regular actors of Medem's in any other director's films. So, it was nice to see the reassuring maturity of Charlotte Rampling and her character as the Patron of the Arts that takes Ana under her wing perfect for her and she plays it superbly, of course.
Chaotic Ana isn't my favourite Medem flick, The Red Squirrel is. All his films are quite long and meandering and it is this unpredictability and superb visual tapestry that makes me rate him so highly.
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