Deaden

I had the opportunity to catch this one at a private screening last week. Finally a film that has not been over hyped and does not pretend to be anything else than what it is supposed be, violent B entertainment. I do not want to say much because this one holds a few surprises (you wont forget the opening sequence, actually that is if you can sit through it!!) but its premise is not overly complicated, here is all you need to now for now: A man seeks revenge against a crime syndicate responsible for the brutal murder of his wife.

Directed by Christian Viel (Evil Breed) and starring John Fallon (who also wrote it) Deaden is pretty straightforward. For about an hour and a half, you witness the main character endless descent into hell and self abuse in his search for vindication. Absolutely tongue and cheek, this movie, even if flawed at times, is not limited by its micro budget and still manages to entertain. You can see these guys had a blast making it. Fast paced, graphic and 100% politically incorrect, see it if you can. You know what they say, no guts no glory, well this one got both and heavy on the first!

OK so It looked like it was shot with a camcorder. No worries mate! The raw violence will have you on you seat edge. Taking violence and revenge to a level that the PUNISHER producers were afraid to go. Bikers will like this too. The guy rides a sweet A$$ sled with apes. I would put the acting on the level of OLD BOY. And the filming on the level of CLOVERFIELD. The story line is very twisted and I'm surprised that it hasn't reached cult status yet. I wont spoil the movie. But if you know the storyline from PUNISHER you know this film. But then they take it to the next level. Similar to SEVEN or SAW mixed with Mel Gibson's PAYBACK. It makes you think....would I do the same thing?

What can I say... well first off this is John Fallon and Christian Veil's new film which has been in the making for a little while now. When the movie began I was surprised at how quickly it got itself into the mind of the viewer. Just the beginning alone is a testament to the violent brutality yet to come. It has been a long time since a film has begun with such a brutal punch! Along the way there are a couple of interesting plot turns and character development but not many. This is a straight forward revenge flick deeply rooted in gritty 80's fare such as Death Wish and The Exterminator. Fans of those particular movies will find themselves at home with Deaden while others will be surprised that such a movie could be made.

John Fallon's performance definitely shines as the walking revenge machine. He takes out people like no other and seems to bring a dark humorous vibe to the whole piece. Direction is handled pretty good as well considering the budget restrictions and all. Overall it is an entertaining piece of gritty film making.

John and Chris are on their way up!

I recently went to see Christian Viel's Deaden at the Sitges Festival International De Cinema De Catalunyain in Spain and I liked the movie a lot. It was the film premiere. The film was fast. The story simple. It was brutal. The music was excellente. Fallon was a good actor most time. Big surprise. Good comedy with Kersey Fallon friend in the film who was funny. Lot of guns-cocaine-action and the killings were originale and sadist. Bad things was the film was done on a low budget and some of fist fights were not that good. But it was a good vigilante movie with lots of violence-laugh-drama.

Alan

Deaden is not a movie for the faint-hearted, does not cater for the mainstream audience and is not in the slightest bit interested in any PG-13 rating, and thank God for that! Deaden is instead an intelligent, well-made love letter to the revenge flicks of decades gone by. Writer, Producer and Star John Fallon (aka the one and only Arrow In The Head of the eponymous highly respected horror movie site) had previously stated that his intention (along with co-writer and Director Christian Viel) was to, ahem, deaden his disappointment at the 2004 remake of The Punisher, which for all its' good intentions and impressive visuals still pulled its punches where it counted, and create his own vision.

Thus Fallon and Viel created Rane, an ex-cop who has his future taken from him (in more ways than one) in a brutal opening sequence, and who then proceeds to make the perpetrators pay dearly for their actions after putting an arrow in his head (see what they did there?) and leaving him for dead.

What follows is a lean, uncompromising revenge flick that showcases Fallon in his first leading role, and proves beyond a shadow of a doubt that not only can he write, but the boy can act too. Several times during the movie I was reminded of a young Stallone in the way that Rane comes across as a flawed everyman, forced into his actions but ultimately believing that he is doing the right thing.

What could have been a ham role in lesser hands is turned into a sympathetic and even likable character by Fallon, who glides across the screen with an ease and confidence that many actors with more leading role experience would struggle to replicate. However, one man does not a great movie make (well not always).

Fallon's co-stars also step up to the plate and manage to hit (mostly) home runs. Deke Richards as his buddy Kersey completely sells their camaraderie (helped no doubt by their real life friendship), and the lovely Claudia Jert as his ex-partner Park brings a sexy confidence to the screen which brings to mind a younger (and hotter) Rene Russo. Anna Jaeger, playing Rane's girl Jamie, makes us believe in the depth and warmth of their relationship, and completely validates his need to seek vengeance for her untimely demise.

Rane's murderous crew are equally convincing, breathing life into what could so easily have been two-dimensional cardboard characters, but who instead come across as realistic - very little of the stereotypical movie bad guy scenery chewing that we've come to expect from the likes of a Michael Bay flick goes on in Deaden.

The violence, too, is realistic, with the only credibility-stretching event being the afore-mentioned arrow in the head, but even that is nimbly explained. Heads are cracked, teeth are lost, limbs are broken, and there is the most inventive use of a pool cue that I've seen for a good while, and that will make your eyes water.

Add a well thought out soundtrack to the whole heady mixture and Deaden delivers the goods, and then some. For my money Fallon and Viel have delivered exactly what they set out to, namely a punishing tale of revenge that will keep you nailed to the screen until the final, bleak denouement.