France before 1789: When a widow hears that her lover is to marry her cousin's daughter, she asks the playboy Valmont to take the girl's virginity. But first she bets him, with her body as prize, to seduce a virtuous, young, married woman.
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have... See full summary »
The painter Goya becomes involved with the Spanish Inquisition when his muse, Ines, is arrested by the church for heresy. Her father, Thomas, comes to him hoping that his connection with Brother Lorenzo, whom he is painting, can secure the release of his daughter.Written by
Near the end, when the king appears in the balcony at the execution scene, some people yell "Vivan las cadenas!" (Long live the chains!). This salute was coined in 1814 by Spanish monarchists when Fernando VII was restored to the throne with absolute powers, thus abolishing the Constitution of Cadiz, which was established by Napoleonic authorities. See more »
When Goya unveils the unflattering portrait of the queen, she is deeply offended. Actually, queen Maria Louisa liked that portrait so much that she made Goya the first court painter. See more »
Are you prepared to swear on the holy cross that you're telling the truth?
About the pork?
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A film by Milos Forman is always an event. This will probably not remain as one of the best in his career, and was surrounded by a level of controversy, not the least among critics who received it very differently. Yet, it is certainly a film to watch.
The story actually does not have Goya (Stellan Skarsgård) in the center. It is rather the story of a corrupt morality policeman of the 18th century (Javier Bardem) imprisoning a young girl (Natalie Portman) on the unjust suspicion of practicing Judaism in secret. It is the story of a police state built on social injustice relying on pretended moral puritanism in order to save the system. This happens at the price of huge human suffering like the drama in the center of the story, and here is the painter as a witness, living the dilemma of becoming involved as a human or remaining a witness as an artist. We know what path Goya chose.
I was not unhappy neither with the acting, nor with the story line, although it is a little bit too melo-dramatic and too much prone to coincidences. Forman is not so much focused on the drama or better say melo-drama, or even in the historical detail, although he seems to be on familiar ground getting back to the period in 'Amadeus'. What he is busy with seems to be more re-creating some of Goya's paintings and prints and tracing back the origin of inspiration of these masterpieces. In a way the film can be read as justification of the choice Goya made in life.
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