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The Equalizer (2014)

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A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.

Director:

Antoine Fuqua

Writers:

Richard Wenk, Michael Sloan (based on the television series created by) | 1 more credit »
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Popularity
136 ( 28)
1 win & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Denzel Washington ... Robert McCall
Marton Csokas ... Teddy
Chloë Grace Moretz ... Teri
David Harbour ... Masters
Haley Bennett ... Mandy
Bill Pullman ... Brian Plummer
Melissa Leo ... Susan Plummer
David Meunier ... Slavi
Johnny Skourtis ... Ralphie
Alex Veadov ... Tevi
Vladimir Kulich ... Vladimir Pushkin
E. Roger Mitchell ... Lead Investigator
James Wilcox ... Pederson
Mike O'Dea Mike O'Dea ... Remar (as Mike P. O'Dea)
Anastasia Mousis Sanidopoulos ... Jenny (as Anastasia Mousis)
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Storyline

The Equalizer stars Denzel Washington as Robert McCall, a former Black Ops commando who faked his own death in hopes of living out a quiet life in Boston. However, when he comes out of his self-imposed retirement to save a young girl named Teri "Chloë Grace Moretz", he finds his thirst for justice reawakened after coming face-to-face with a syndicate of brutal Russian gangsters. Afterwards, McCall becomes the go-to man when the helpless require the kind of vengeance they would never find without his skills.

Plot Summary | Plot Synopsis

Taglines:

What do you see when you look at me?

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence and language throughout, including some sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Russian | Spanish

Release Date:

26 September 2014 (USA) See more »

Also Known As:

El justiciero See more »

Filming Locations:

Haverhill, Massachusetts, USA See more »

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$34,137,828, 28 September 2014, Wide Release

Gross USA:

$101,530,738

Cumulative Worldwide Gross:

$192,330,738
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The screenplay for this film was featured in the 2012 Blacklist; a list of the "most liked" unmade scripts of the year. See more »

Goofs

(at around 31 mins) A brief transition scene shows a Boston "T" Red Line subway car traveling from left to right. Frame-by-frame review of this scene reveals that this transition has been flopped because all the writing on the subway car is reversed. See more »

Quotes

Marcus: Hey, yo, Pops. We betting on what you did before you got here.
Jay: Like for a living.
Marcus: I'm saying insurance, claims.
Jay: He was a stock dude, man, on Wall Street.
Robert McCall: I was a Pip.
Jay: Yo, you were a pimp?
Robert McCall: No, not a pimp. A Pip, P-I-P, Pip.
Jay: What fuck is a Pip?
Robert McCall: Why you curse so much? You know, like Gladys Knight and the Pips. Like this.
[starts dancing]
See more »

Alternate Versions

Nearly all UK versions are cut for violence to secure a 15 rating, removing the following so as not to earn an 18 by "dwell(ing) on the infliction of pain and injury":
  • The closeup of the corkscrew being pushed further into Tevi's mouth, and the final one of his face right before it's withdrawn.
  • The first shot of the mercenary bleeding and choking on the barbed wire noose.
Columbia made additional cuts to two more scenes, which weren't requested by the BBFC:
  • A closeup of Teddy beating Little John's bloodied face twice, and a shot from behind that shows him readying another punch.
  • The gangster being impaled through the neck was shortened at the start and end.
The six cuts totalled 15 seconds. The 2018 4K Blu-ray is uncut and rated 18. See more »


Soundtracks

Givin' Em What They Love
Written by Janelle Monáe (as Janelle Monáe Robinson),
Nate 'Rocket' Wonder (as Nathaniel Irvin III), Charles Joseph (as Charles Joseph II) and Terrence Brown
Performed by Janelle Monáe featuring Prince
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
See more »

Frequently Asked Questions

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User Reviews

 
Colder Opportunities
1 October 2014 | by billygoat1071See all my reviews

The Equalizer is loosely based on an 80s television series with the same name. This reinvention in comparison aims to be darker and much violent, but the film's ambition is basically turning its star, Denzel Washington, into a grittier action hero. It somehow pays off when he starts killing bad guys in cold blood, and it's amazing how he could still carry the character's humanity along the way. The film troubles when it gets out of hand to its glorious vigilantism despite it takes place in a world seems apart from that context. If you tend to ignore the sentiments and shade of reality, you can still tell that it's a pretty entertaining piece of action, but in general it's just difficult to not notice its mess of tones, even with that amount of fun.

There is one side in the film when it's totally gripping, that is when we just see the protagonist as a person living in an ordinary life, often being with people and often encountering them getting in trouble by crime. This grounded world just keeps most of its darkness in their presence, sometimes feeling like a doomed, helpless world. But once the hero reveals what he truly is capable of, it doesn't actually sucks out its entertainment quality, but it does betrays that intriguing context, nearly turning itself into a superhero movie, except of course, it's less silly and much violent. McCall, in shorthand, is too competent for any criminal he fights and often leaves with a perfect swagger. It may not be big deal to many viewers, especially the action fans who are already enjoying the blood, but the film sets up an existing theme that seems to be a lot interesting to consider instead of indulging itself with its own way of justice.

The cool slow-mos and stylish special effects might have also rob the sense of realistic tension, but put that aside, each action scene is watchable enough, we don't usually see a wider blockbuster today that has the guts to fearlessly show brutal movie violence like this. This is probably the only mundane element existing in those set pieces. Denzel Washington shifts his character to two personalities: one is the likable ordinary man himself and the anti-hero with a hidden cosmic hate through its world. The performance does sum up the overall movie, from gravitas to smugness, and what's great is they're both effective anyway. However, the villains (and their tattoos) have blatantly shown that they're evil: the main antagonist seems like he's written to be over-the-top, almost like a cartoon villain than a believable human mafioso, but Marton Csokas gives a little grimness as he have fun with it.

The Equalizer would have been nicer if it was a little shorter and much consistent, but I could guarantee that it still entertains, it does have the appeal through its action and acting. Though, there are more serious things that could have made it a lot compelling thriller. The film does have the knack of embracing either of its elements, but it just keeps shifting back and forth, like we're not getting to the actual big picture. Well, if you can accept that the hero is this superior then it might work better for the experience. For now, it can be endlessly watchable, but you will only find few things that are remarkable about it.


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