Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship?Written by
Another Lebowski reference is made when Simon Pegg congratulates Jeff Bridges on being named Man of the Year in Time Magazine See more »
In the opening crane-down shot at the open air party (about half way through the movie) you can see a tiny "hair in the gate" at the bottom-center of the screen. It is still there in the subsequent shot, but has obviously been removed in time for the next one. See more »
What a Wonderful World
Written by Bob Thiele and George David Weiss (as George Weiss)
Performed by Joey Ramone
Courtesy of Sanctuary Reecords Group Ltd
Under licence from Universal Music Operations
(c) Abilene Music LLC, Herald Square Music, Range Road Music inc. and Quartet Music Inc.
Used by kind permission of Larry Spier Music LLC/Memory Lane Music Group LLC and Curlin Music Corp. See more »
Great fun, absorbing and thought provoking. Plenty of fascinating characters.
I was pleasantly surprised to find that How to Lose Friends and Alienate People was nowhere near as 'gross-out' a comedy as the trailer had led me to expect. I rapidly became absorbed in the unfolding of the narrative and remained engrossed throughout. Pacing of the more visual humorous content was, I thought, spot on. (I mean I got the impression I was witnessing Pegg's attempts at restoring lost control very much 'in real time', so to speak.) At other moments there was time allowed to share the main protagonists' (i.e. Pegg's and Dunst's) reflection on how events were affecting them and what had led them to where they now found themselves. All the characters were well cast, to some extent interesting in and of themselves, and generally quite likable. (Any apparent ruthless ambition displayed tended to be tempered by a corresponding good natured resilience.) An entertaining, intelligently scripted, brilliantly directed and superbly acted film that I would thoroughly recommend.
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