6.4/10
66,331
102 user 137 critic

How to Lose Friends & Alienate People (2008)

Trailer
2:31 | Trailer
A British writer struggles to fit in at a high-profile magazine in New York City.

Director:

Robert B. Weide

Writers:

Peter Straughan (screenplay), Toby Young (book)

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Cast

Cast overview, first billed only:
Kelan Pannell Kelan Pannell ... Young Sidney
Janette Scott ... Sidney's Mother (archive footage)
Danny Huston ... Lawrence Maddox
Simon Pegg ... Sidney Young
Megan Fox ... Sophie Maes
Gillian Anderson ... Eleanor Johnson
Kelly Jo Charge Kelly Jo Charge ... Apollo Awards Presenter
Christian Maier Smith Christian Maier Smith ... Apollo Awards Guest
Katherine Parkinson ... PR Woman
Felicity Montagu ... Clipboard Nazi
Thandie Newton ... Thandie Newton
John Lightbody John Lightbody ... Assistant Hotel Manager
Ian Bonar Ian Bonar ... Post Modern Review Staff
James Corden ... Post Modern Review Staff
Fenella Woolgar ... Post Modern Review Staff
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Storyline

Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The most hilarious comedy of the year. See more »


Motion Picture Rating (MPAA)

Rated R for language, some graphic nudity and brief drug material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

3 October 2008 (USA) See more »

Also Known As:

Kako izgubiti prijatelje i otuđiti se od ljudi See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$1,430,294, 5 October 2008

Gross USA:

$2,778,752

Cumulative Worldwide Gross:

$19,151,797
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The scene where Sidney (Simon Pegg) asks an actor "Are you gay?" is based on Toby Young doing the same to Nathan Lane, regarding his role in The Birdcage (1996). See more »

Goofs

During a scene in which Sidney and Alison are walking along a street in New York together, in one of the shots a shadow of the camera equipment and operator is clearly visible. See more »

Quotes

Sidney Young: I sent the fish, you know, goldfish in a bowl. Did she get them?
Sophie Maes' Assistant: Yes, but they were dead!
Sidney Young: All of them?
Sophie Maes' Assistant: Yeah, it was kind of shocking actually! Were they dead when you send them?
Sidney Young: No no, who sends people dead fish?
Sophie Maes' Assistant: The Mafia?
See more »

Connections

References Troy (2004) See more »

Soundtracks

Now & Forever
Written by Harry Parr Davies and Christopher Hassall
Published by EMI Music Publishing Ltd
Licensed Courtesy of Canal+, Paris
See more »

Frequently Asked Questions

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User Reviews

 
Pegg brings his great comedy to Sharpe story
30 April 2009 | by StampsfightclubSee all my reviews

Sidney Young (Pegg) moves from England to New York to work for the popular magazine Sharpe's in a hope to live his dream lifestyle but struggles to make a lasting impression.

Based on Toby Young's book about survival in American business, this comedy drama received mixed views from critiques. Labelled as inconsistently funny but with charm by the actors, how to lose friends seemed as a run of the mill fish out of the pond make fun at another culture comedy, but it isn't.

This 2008 picture works on account of its actors and the simple yet sharp story. We start off in the past, then in the present and are working our way forwards to see how Young made his mark at one of America's top magazines.

Pegg (Hot Fuzz) is too likable for words. Whether it's hitting zombies with a cricket bat or showing his sidekick the nature of the law the English actor brings a charm and light heartedness to every scene. Here, when the scripting is good but far from his own standards, he brings a great deal of energy to the picture and he alone is worth watching for. His antics with "Babe 3" are unforgivable, simply breathtaking stuff as is his over exuberant dancing, but he pulls it off splendidly.

Bridges and Anderson do well at portraying the stereotypical magazine bosses where Dunst fits in nicely to the confused love interest. Megan Fox, who stole Transformers, reminds everyone she can act here with a funny hyperbole of a stereotype film star. The fact that her character Sophie Myles is starring in a picture about Mother Teresa is as laughable as her character's antics in the pool. To emphasize the point there is a dog, and Pegg rounds that off in true Brit style comedy, with a great little twist.

Though a British film there is an adaptation of American lifestyle for Young as he tries to fit in and we can see the different approaches to story telling. Young wants the down right dirty contrasted with the American professionalism. The inclusion of modern day tabloid stars will soon make this film dated but the concept of exploitation of film star's gives this edge.

Weide's first picture is not perfect. There are lapses in concentration as the plot becomes too soapy with an awkward obvious twist and there are too many characters to be necessary. The physical comedy can also be overdone. As a side note, the bloopers on the DVD are some of the finest you will ever see, which are almost half an hour long.

This comedy drama has Simon Pegg on shining form again and with the collective approach to story telling and sharp comedy, it is worth watching.


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