Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship?Written by
The book Alison Olsen is reading in the break room when Sidney sits down with her is "Relative Stranger: Piecing Together a Life Plagued by Madness" by Mary Loudon. See more »
At the stately home, the band resumes playing after Sidney Young falls off the top of the stage's wooden frame. In a following shot facing the band, the keyboardist removes his right playing hand from the keyboard placing it in his lap with his left hand prior to the last keyboard chord being played. See more »
What's the greatest film ever made?
It's hard to say. I mean, I personally love La Dolce Vita...
[Imitates game show buzzer]
[Continues, dead pan]
[a bit perplexed]
I beg your pardon?
Con Air, right? It's got everything, hasn't it? You know, you've got Malkovich for your acting chops, you got Nicky Cage for your action, Steve Buscemi for your comedy, John Cusack for the gays. Right? It's like a smorgasbord, isn't it?
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Amazing performance from Simon Pegg who just gets better and better with every role. As usual he plays the part of a very cringy character who makes you want to hide behind your cushion in embarrassment for him sometimes, but thats what Pegg is all about.
The laughs were regular and eye watering and everyone of them aimed at Penn. The movie was very cleverly put together where every character plays a very sophisticated and serious part with Penn being the only humour involved which is a huge credit to the Director Robert Weide.
And I cant let this one go without a quick round of applause to Gilliam Anderson who shone throughout. Highly recommended to all.
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