| Cast overview, first billed only: | |||
| Robert De Niro | ... | Jonathan Flynn | |
| Paul Dano | ... | Nick Flynn | |
| Julianne Moore | ... | Jody Flynn | |
| Olivia Thirlby | ... | Denise | |
| Eddie Rouse | ... | Carlos | |
| Steve Cirbus | ... | Jeff | |
| Lili Taylor | ... | Joy | |
| Victor Rasuk | ... | Gabriel | |
| Liam Broggy | ... | Young Nick | |
| Chris Chalk | ... | Ivan | |
| Wes Studi | ... | Captain | |
| Thomas Middleditch | ... | Richard | |
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Sarah Quinn | ... | Religious Girl |
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Benjamin Foronda | ... | Punky Guy |
| Dale Dickey | ... | Marie | |
Nick Flynn, in his 20s, hasn't found his place in the world yet, but hopes to be a writer. Around the time he takes a job at a homeless shelter in Boston, his father, Jonathan, who considers himself a great writer and who hasn't see Nick in years, abruptly makes fleeting contact. A few months later, the down-and-out Jonathan shows up at Nick's shelter and becomes a resident. This disorients Nick; he doesn't handle it well, compounded by Jonathan's belligerent behavior. Nick's memories of his mother, his budding relationship with a co-worker, and his own demons make things worse. Can anything improve? Is he his father's son? Written by <jhailey@hotmail.com>
I really liked this film a lot. As with a lot of movies based on life the story weaves about a bit. But I particularly like the way the narrative kept switching between son and farther, giving insights and snippets of past and present life. Very character driven storyline and this movie is a good antidote against the high budget, high gloss, special effect driven Hollywood movies which I also like, don't get me wrong. But in the words of REM, "sometimes you need something more sub sub sub substantial." Both Robert De Niro and Paul Dano give strong performances, but I do slightly worry that Paul Dano might keep being typecast as the lost creative sensitive type. It was nice to see De Niro in a non-comedic role, which he seems to play recently. And it's a good reminder of here is an actor that can act.
Well worth watching in my opinion. Don't expect the movie to be wrapped up nice and neat at the end. I couldn't see how they would be able to do that without resorting to Hollywood cliché's. I'm still astounded this is by the same director (Paul Weitz), who directed the frighteningly bad Little Fockers.