A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
Emma Caulfield Ford,
The hacker Josh invades the computer of Douglas Ziegler, who is developing a powerful wireless signal, and accidentally releases a mysterious force that takes the will to live of human beings, generating a suicide epidemic and increasing the force. His girlfriend and student of psychology, Mattie, sees each one of their common friends die and the destruction of the modern world, and together with her new acquaintance Dexter, they try to plan a virus developed by Josh in the network to shutdown the system and save mankind. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the film Brian Draper and Torey Adamcik claimed to have seen the night they murdered Cassie Jo Stoddart. See more »
The movie is supposedly set in Ohio. The telephone area code (818) for the rental office of Josh's now vacant apartment is actually for the San Fernando Valley, California (and surrounding areas.) Furthermore, Zeigler's Columbus Zip Code should be 43201 (not the made-up 41273) and 7th Ave street numbers only go as high as the 3600's (not 13124). Plus the actual street is not full of multi-storied apartment buildings designed in the Eastern Bloc brutalist architectural style. Dexter's Weymouth Dr. street address (from his bounced check) is fictitious, but its Zip Code (44101) is indeed in Cleveland. See more »
[showing off his pirated DVDs]
A'ight. Check this out. I got all the new joint... Actually these last four, y'all have already. And then these five, right here, won't even be out for another month. Plus I have some other ones here...
Yeah. You know, you should just save us a few little tax dollars and drive yourself to jail right now.
Can I use your car? And don't forget, I gotta take you with me, because you did buy some of the stuff.
See more »
Towards the end of Pulse, a US remake of the hit Asian horror Kairo, there was a moment which actually made me jump. It was a cheap mechanical scare that was totally predictable, but it still managed to jolt me. And I was grateful that it did, because it stopped me from lapsing fully into a coma.
After the dreadful American remakes of other J-horror hits such as The Ring, The Grudge and Dark Water, all of which did their best to cause my brain to shut down entirely, I did wonder about the wisdom of watching yet another. But I'm a fair man, and I like to give films the benefit of the doubt, so in went the disc...
Sporting a grungy, desaturated look, and nasty MTV style editing, Pulse is typical of the unimaginative and stale horror output that has blighted the genre this decade. The film, aimed at the teen demographic, does away with logic, suspense and a decent plot; instead, we get an easy-on-the-eye cast, some cool CGI effects, and a story that makes no sense whatsoever.
In this confusing tale, a hacker accidentally allows strange creatures from another dimension to come into our world, using communication devices as conduits. Once in our world, these things suck out our will to live, which results in people either disintegrating into ash, or committing suicide (and by the end of the film, you'll know exactly how they feel!). As these monsters slowly take over any part of the world in which technology allows them access, a couple of teens discover the existence of a computer virus which may be able to put an end to the evil invaders, but with red tape as their only protection (don't ask!), will they succeed?
Dreary cinematography, coupled with a dull-as-ditchwater script and uninspired performances from a bored looking cast, make Pulse an experience that I am not in a hurry to repeat. Director Jim Sonzero manages one or two visually impressive moments (involving the bizarre other-worldly freaks, which look like they're straight out of a Chris Cunningham video), but for the most part, he seems content to translate the illogical, badly written and plot-hole ridden screenplay into uninspired visual tripe, without giving a moment's thought to the fact that nothing makes much sense.
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