A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
Pre-show video that plays before Universal Orlando's Revenge Of The Mummy Ride documents the strange going-ons on the set of The Mummy films as the cast and crew discuss whether or not the curse is real.
In a dark and decadent area of São Paulo, the exiled Americans Sinatra and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a little son. When a client is killed by his wife in their establishment, they find a suitcase with drugs. In the night that they have scheduled a negotiation with African buyers, their African liaison dies while having sex with the travesty Nazda. Sinatra proposes to the Nigerian dishwasher of the brothel, Wemba, to travel to the harbor of Santos, close the business with the drug dealers and in return he would receive a large amount. Wemba accepts but while returning to his car in the harbor, he is attacked by two smalltime thieves and passes out. His lack of contact with Sinatra and Paul leads to a sequence of misunderstandings with a tragic end.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The movie shares its title with a famous French novel of the same name, though not related in content. The novel "Journey to the End of the Night" (O: "Voyage au bout de la nuit") was written by Louis-Ferdinand Céline and published in 1932. See more »
What fun seeing a good ole fashion blood and guts, shoot 'em up noir. I felt like I was seeing a whole other side of the way crime thrillers could be made. This one uses sex, mostly in the backdrop and dialog in a hauntingly unerotic way--which speaks to the characters' misery and inability to feel pleasure. Not even sex or drugs can save them.
Journey's plot is secondary to the indelible, painterly images; so much like Christopher Doyle's work that I had to stop the DVD and see who the cinematographer was.
Scott Glenn rises to the occasion playing father and husband trying to make one last score so he can get out of the game. The old actor brings a lifetime of experience to the part. And really makes you invest emotionally in his plight. Also strong is Brendan Fraser, jumping out of his comedic pigeonhole and delivering an incredibly nuanced performance, at times funny, frightening and unforgettable.
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