After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, before he meets a young girl under the control of ultra-violent Russian gangsters and can't stand idly by.
Composed and meticulous, the soft-spoken and ingenious bank robber, Dalton Russell, has orchestrated the perfect heist--shortly, the Manhattan bank at the corner of Wall Street and Broadway along with dozens of hostages will be his to command. Try as he might, the rough hostage negotiator, Keith Frazier, is always one step behind the criminal mastermind--and what is more disheartening--the institution's silver-haired founder, Arthur Case, recruits the intelligent problem-fixer, Madeline White, to retrieve something of paramount importance. However, the thieves seem to procrastinate intentionally, when they should be rushing into action. Will Arthur and Madeline get what they want this time?Written by
Paul's (Lemon Andersen) line, calling one of the detectives that were interrogating him a "wassa-wassa", was improvised. So was Detective Frazier's (Denzel Washington's) response: "How do you say 'Rikers Island' in Spanish?" See more »
As the ESU team is approaching the vault during the Capt's break-down of their entry, the Sgt.'s (Guy on the left of the screen) weapon fires two-three times before any visual is made of Dalton. Once as he comes around the column and another time as he walks toward the vault. It appears to be a mistake on the actor or malfunction of the weapon. See more »
My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation...
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The opening credits form similar to the way a safe's rings/levers are operated, reflecting the theme of the film. See more »
Note: I stay away from describing the plot in any detail because it would be very hard to do so without spoiling elements of it. "Inside Man" starts out as a no holds barred, high octane action-thriller, and by its midpoint fully transforms into a breezy, tongue-in-cheek heist movie, reminiscent of The Sting. I felt it to be a little over-plotted, but that comes with the genre - the expected twists and turns are all here, thankfully mostly in non-expected ways. Contrivances abound, and we don't really learn the background of the heist (ie. how the robbers learned about their target) but the story and the overall atmosphere more than make up for this. The meticulously designed plot also compensates for the lack of real 3D characterization - save for Denzel Washington's ambitious policeman hero, who at least achieves a level of humanity throughout the story. The character interaction between him and his sidekick (Chiwetel Ejiofor of "Serenity" fame) and the frustrated captain played by Willem Defoe is great with some sparkling dialog. Clive Owen is okay, most of the time convincing as the criminal mastermind, although he spends most of the film wearing a mask. I'd say this film is harmless fun, not your usual Spike Lee fare, which goes to prove his versatility. There is a hint in the back-story at some heavy issues of the past, but it's nothing more than a macguffin that only achieves some slight significance in the resolution of the movie. There is a neat structural trickery in the use of flash-forward scenes, hinting toward the aftermath of the heist without giving away the real ending. It's used sparingly and cleverly. I can highly recommend this movie, it is never boring for a moment, what's more, I was enjoying it so much that as events were progressing toward the climax, I was wishing it would go on. And that's very rare for me in the movies nowadays.
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