7.5/10
3,292
13 user 46 critic

La antena (2007)

This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.

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Writer:

(screenplay)
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10 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Son of Mr TV
Alejandro Urdapilleta ... Mr TV
... Nurse
... The Inventor
Florencia Raggi ... The Voice
... Ana
Jonathan Sandor ... Tomás
Raúl Hochman ... The Mouse Man
Ricardo Merkin ... The Grandfather
Carlos Piñeyro ... Doctor Y
Camila Offerman ... Fairy Girl
Alejandro Regueiro ... Silhouette Man 1
Christian Amat ... Silhouette Man 2
Federico Miri ... Silhouette Man 3
Paulina Sapir ... Girl Dressed in White
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Storyline

This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.

Plot Summary | Add Synopsis

Taglines:

A city without a voice...

Genres:

Drama | Fantasy | Sci-Fi

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Details

Official Sites:

KMBO [France] | Official site

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Language:

Release Date:

19 April 2007 (Argentina)  »

Also Known As:

The Aerial  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The shooting took 11 weeks and the post-production more than a year for completion. See more »

Connections

Featured in Cómo se hizo: La antena (2007) See more »

Soundtracks

Rumba Antena
by Esteban Sapir/Nico Cota (as Nicolas Cota)
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User Reviews

 
Fascism versus Judaism, or God versus Satan?
8 July 2008 | by See all my reviews

This is a beautiful film to look at. Surreal and kitsch, its many homages were maybe a little too obvious - yes, Lang, Melies, even Chaplin. This allegory on Argentinian and German fascism initially buried the real story beneath its look - that of a complex animated commercial. However, as the film progressed, it soon become obvious to me the symbolism of the scars on the family's hands (stigmata), the blind boy who could talk and would save the city / world (Jesus Christ), the boy's single mother (Mary), the young girl (Mary Magdalene), and ultimately the boy on the Star of David, reflected a world in which religion / Judaism / Jesus Christ, vanquished the evils of fascism / Satan.

So maybe a little heavy on the symbolism and allegory, ideas of religion saving the world or prophets dying to save us from our sins are all a little lazy. As many directors have shown, revealing religion for the corrupt and superstitious organisations they really are, can make a much more satisfactory cinema experience; see Bunuel / Fellini / Bergman.


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