After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
In the wake of a devastating terrorist attack on a slow New Orleans ferry, the A.T.F. special agent, Doug Carlin, joins an experimental top-secret government program to find the bomber. Designed to bend the very fabric of time, this state-of-the-art technology enables the user to observe a detailed representation of what happened four days and six hours in the past, tracking the target's every move prior to the attack. However, the man responsible for the deadly explosion is bound to strike again. Can Carlin figure out who he is, when he is always precisely four days behind?Written by
The third time Denzel Washington and Tony Scott have worked together. They would collaborate on two other films before Scott's death in 2012. Its also the first film Scott, Washington and producer Jerry Bruckheimer have worked on since Crimson Tide (1995), and the last film Scott and Bruckheimer would work on after six collaborations. See more »
The bomber arrived at the ferry dock at 0440 which means Carlin's chase could not have started before 1040. During Agent Carlin's pursuit of the bomber, we get a glimpse of Pryzwarra's watch when he is picking up the phone that shows 5:45 which could be 0545 (five hours too early) or 1745 (meaning Carlin took seven hours to get to the Crescent City Bridge). When Carlin starts to walk away from the Hummer in daylight, his watch shows 0950 (50 minutes too soon) but when he gets on the other side of the house, the time shows 1135 (more in sync with the timeline). See more »
Can't believe it. They're right on time. Let's get these boys to their party.
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Tony Scott's opening credit is obscured momentarily by a passing sailor. See more »
A decent thriller with the right amount of twists in it, yet an amusingly corny packed ride
This movie was pretty much what I expected. Nothing too serious, just a fun ride from the beginning till the end. The plot has this good twist in it, which makes the movie interesting and there is overall pretty much the right amount of sci-fi and thriller blended together.
What to expect from a movie produced by Jerry Bruckheimer? Explosions, gun fights, car chases and over the top dramatized scenes. Well, that's pretty much what you get from Déjà Vu. The movie's enjoyable, but like said before, it's nothing too serious. Denzel Washington is entertaining as usual, a right man for the role indeed. Don't expect this movie to contain any phenomenal role performances, as that is really not the case when it comes to movies like this one. This is just another perfect example of a movie which is only made for entertaining purposes. If you want to see this and you see this, it's what you expect it to be, nothing more or nothing less, you finish the movie with that usual smile on your face. Your entertain level is satisfied.
The movie's a big cliché overall, quoting myself on what said before; Over the top dramatized scenes. I mean, it's so predictable. The cinematography almost does that all for you; Fast forwarding, slow motions, shaking the camera, the screen flashing white every now and then.. I could go on and on, but oh well, you get the point. That is sadly pretty much what the cinematography always does in these kind of movie nowadays. It's like every possible way of cinematography is already used before and no-one tries to make anything unique anymore. You could always just cut down the cliché(ish) ways and keep it simple and normal. Well, then the movies like these wouldn't actually be movies like these, so the cinematography does what it's supposed to do after all. You can't complain about that, now can you? The music is also used to make it more over the top and it's just a bunch of corny compositions put together to make the movie more emotional, but for me it's more like a bad joke. Overall the music is also so predictable, giving a random example of that; "Now he sees a dead man, now his eyes freeze, now he walks next to the body, close-up shot of the body, corny piano music starts playing, close-up to the main character's eyes, now a tear drop, oh how sad" Yup, got it right again. So predictable. Well, you can't complain as then again, you get what you order.
Like I mentioned before, the plot has this good twist in it and it does make the movie interesting. It's also a bit unique in its own way. Though it is surprising at first, it's all downhill after that, as then it catches that famous predictability. Well it's not as bad as you may think from that last sentence, it's just is what it is. Despite from all of this negative feedback I'd still recommend the movie if you're looking for an action packed ride with a bad ass lead actor in it.
27 of 45 people found this review helpful.
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