After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
A ferry filled with crewmen from the USS Nimitz and their families was blown up in New Orleans on Mardi Gras. BATF Doug Carlin is brought in to assist in the massive investigation, and gets attached to an experimental FBI surveillance unit, one that uses spacefolding technology to directly look back a little over four days into the past. While tracking down the bomber, Carlin gets an idea in his head: could they use the device to actually travel back in time and not only prevent the bombing but also the murder of a local woman whose truck was used in the bombing?Written by
Jim Caviezel was nervous about performing some of the stunts in the film, but he just decided to put his trust in the stunt people. See more »
The bomber arrived at the ferry dock at 0440 which means Carlin's chase could not have started before 1040. During Agent Carlin's pursuit of the bomber, we get a glimpse of Pryzwarra's watch when he is picking up the phone that shows 5:45 which could be 0545 (five hours too early) or 1745 (meaning Carlin took seven hours to get to the Crescent City Bridge). When Carlin starts to walk away from the Hummer in daylight, his watch shows 0950 (50 minutes too soon) but when he gets on the other side of the house, the time shows 1135 (more in sync with the timeline). See more »
Can't believe it. They're right on time. Let's get these boys to their party.
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Tony Scott's opening credit is obscured momentarily by a passing sailor. See more »
Deja Vu is a high-action, crime-drama, sci-fi, thriller which is exactly what you would expect from Jerry Bruckheimer, producer of such action-adventures as "Con Air," "Enemy of the State," "National Treasure," "Pirates of the Caribbean," and another Denzel Washington favorite, "Remember the Titans."
The story opens with an explosion on board a New Orleans Ferry, and takes the audience back through an unfolding of events that leads up to the tragic scene. Even the most modern technology hasn't gone as far as the storyline takes us. The premise is thrilling and the implications stimulate the imagination. For example; "how would altering the past impact people and events of the present?"
The acting is superb, with Denzel Washington and Paula Patton as romantic leads. James Caviezel does an extraordinary job as the villain, which is a departure from his role as Jesus in "The Passion of the Christ."
There is plenty of action and some of it violent. Be prepared to see a few corpses like those on television's "CSI" or "Crossing Jordon." There are gun fights, but with a minimum of blood. While the movie is certainly intense, much of the severe action is implicit and takes place off camera.
For an action packed, PG-13 movie, I was particularly impressed with the limited amount of rough language. I imagine with Denzel and James in the cast, there was an effort to keep it "clean." This is one of the few remaining Touchstone Pictures releases. Parent company, Walt Disney Studios is committed to producing action movies that appeal to a wider family audience.
We're awarding "Deja Vu" the Dove Family-Approved Seal at for audience members over age 12.(www.dove.org) Parents should look over the violent content issues before deciding whether to bring tweens along.
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