Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
Life is a difficult challenge for Mr Bean, who despite being a grown adult, has trouble completing even the simplest of tasks. Thankfully, his perseverance is usually rewarded, and he finds an ingenious way around the problem.
Mr. Bean enters a church raffle and wins a vacation trip to France as well as a camcorder. After boarding a Eurostar train and arriving in Paris, the French language proves a barrier for Bean, as he struggles to get across the city to catch a train to the south of France from the Gare de Lyon. Taking time to order a meal, he finds the consumption of a seafood platter to be a challenge. Just before catching his train, he asks Emil, a Russian film director on his way to be a judge at the Cannes Film festival to use his camcorder to record his boarding, but accidentally causes Emil being left behind at the station. Bean attempts to cheer up the director's son Stepan as the train continues south but matters are made more hectic by the fact that Emil has reported his son to have been kidnapped and Bean losing his wallet and essential travel documents at a pay phone where he and Stepan attempt to contact Emil. Heading in the direction of Cannes, Bean finds himself in the cast and disrupting...Written by
The wonderful aria Mr. Bean pretends to sing in the market scene is "O mio Babbino caro" from the opera "Gianni Schicchi" by Giacomo Puccini. This aria can also be heard on the soundtracks of White Palace, Prizzi's Honor, A room with a view and many other movies. See more »
When Mr. Bean is recording himself buying something from the vending machine, you can see the reflection of a crew member in the glass. See more »
Ah, Mrs. Lucas! Congratulations, Mrs. Lucas. And now to the first prize in today's raffle in aid of the "roof appeal." Thank you, Lily. Indeed. The magnificent holiday to the south of France, kindly sponsored by Dalesborough Travel Limited. So, thank you, guys. The winner of this prize will travel by Eurostar train to Paris, then catch the fast train south before spending the week on the beaches of the French Riviera. This fabulous prize also ...
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Although it doesn't really relate to anything in the movie, there is one final scene at the very end of the credits; We see Bean filming through his Video Camera and Writing Fin in the sand (which means "The End" in French) with a final look through the camera, the water comes up and washes the word anyway...just as the battery on the camera finally runs out...with the screen going black. See more »
Several scenes were deleted from US theatrical prints, such as Bean licking the spilled coffee in the laptop and Bean getting his tie stuck in the vending machine. These scenes were restored for the DVD. See more »
If you asked a handful of people of varying ages in America, chances are you'd get about 8 out of 10 knowing who he is. They may not know Rowan's real name, but they know the character.
The sad part about this film is that it's absolutely wonderful, and most people in America aren't going to see it because it's rated "PG". Not a dirty gag, foul word, or joke about someone's junk to be found. And the really amazing part is that it's half comedy, half gorgeous scenery surrounding it. It mocks the Hollywood standard, it has melodious music, it's masterfully filmed, and all the while you just find yourself going "Oh, that Bean." *puts fists on hips*
I can't honestly say I've seen a film this good, this funny, this... pure that can make anyone laugh and find themselves feeling charmed after having seen it. Emma De Caunes stole my heart, Max Baldry is a kid that anyone his age can relate to, and Defoe actually pulls out a great, over-the-top performance without even uttering a four-letter word that he's so very good at snarling out.
You know what? Shame on us America. That we need the big bang, the flatulence, and the double entendre to amuse our soured idea of comedy. What is so wrong with having a character like Bean, a performance like Atkinson's, that we can't find that part of us that wasn't soured on tasteless "humor" but just absorb and let out a barrel-chested sigh of satisfaction after a hearty laugh from a genuine, clever clean joke or visual gag?
We'll go on, with our Jackasses and Scary Movie XII and we'll forget about them five minutes after we've left the theater, but darnit, it's high time a movie like Mr. Bean's Holiday came along. And I for one would pay money to see this again, even if the American know-it-alls of Hollywood think it's better suited in a death slot in September, to be forgotten, sandwiched between sequel after sequel and the banality of teen slasher flicks acted by twenty-somethings whose genre should have died off years ago.
If what Atkinson says is true, that this is the last time Bean will ever appear, then he's gone out on the highest note you could ever bestow on a character so beloved. Shine on Bean, and ride off into that sunset, you crazy, wonderful fella you. And thanks for all the laughs.
... But where's Teddy?
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