In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the LAPD with a rogue detective who isn't what he appears to be.
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough Boston neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve their case, they are faced with a moral dilemma that could tear them apart.Written by
On the DVD commentary, Ben Affleck says that he and Jill Quigg improvised the scene early in the movie in which Quigg (as Dottie) talks to the press about the flyers they had posted and the vigils they had planned. Affleck says that he would feed her some lines and then she would perform them. Her mispronunciation of the word "vigil" as "visual" came from her mishearing what Affleck had said from behind the camera, but he later decided to keep it the way she had said it. See more »
When Patrick and Angela meet Detectives Brassant and Poole for the first time in the diner, they are going over the rap sheet for Roberta Trent. She had some charges in Lawrence and Lowell where the ZIP codes were listed 02114, which is the ZIP code for Boston. Lawrence and Lowell's ZIP codes start with 01 (i.e 01843) See more »
I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies around their souls, the cities wrapped around those. I lived on this block my whole life; most of these people have. When your job is to find people who are missing, it helps to know where they started. I find the people who started in the cracks and then fell through...
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Written by Slaine (as George Carroll), Jason Rosenwald, Ed Anderson, Jake One (as Jake Dutton), Deric Quest
Performed by Special Teamz featuring Deric Quest (as D Quest)
Special Teamz courtesy of Duck Down Records See more »
Every once in a while, amid the dross that reviewers have to sit through, comes a movie that hits like a sucker punch to the gut and haunts you long after you've left the theater. Such is the case with Gone Baby Gone.
Based on the book by Dennis Lehane (Mystic River), Gone Baby Gone marks the directorial debut of Ben Affleck, who also penned the screenplay in tandem with Aaron Stockard, and easily puts him at the front of the line for Oscar contention.
Casey Affleck and Michelle Monaghan star as a pair of private investigators based in the rough working class Dorchester district of Boston. The two are hired by the family of a missing four-year-old girl to assist the police investigation because of their street connections and ability to get people to talk who otherwise would never open up to a cop. As they navigate through the neighborhood's seamy underbelly of pimps, drug dealers and crack whores they uncover an ever-expanding mystery that takes on the added dimension of provoking the question of just what is right and what is wrong, firmly pitting both story and viewer in a struggle between situational ethics and moral absolutes.
Morgan Freeman and Ed Harris round out an impressive cast, but it's the younger Affleck who takes this movie on his back and runs with it, easily surpassing his director brother in terms of acting breadth and range. This is no slight to Ben, however. It's been a long time since I was this impressed with a directorial debut, and even longer since I was given cause to reflect upon the values that we hold dear as individuals and a society, and the moral foundations upon which they are based. Gone Baby Gone manages both, and wraps it up in a hard-hitting detective story that serves as much to satisfy the baser urges of bar fights and gun play, as it does tackling bigger issues.
It's also one of those rare movies in which it can easily be said that the less you know about the story going in, the richer the experience. There's no clear twist ending to give away, but rather a layered story that unfolds like a Russian stacking doll with a moral dilemma at its core.
One thing I do feel comfortable revealing, however, is that this movie comes about as close as any can to being a bonafide lock come Academy Award time. Congrats Ben, you may well have redeemed yourself from your J-Lo/Gigli reputation at last.
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