Since the earliest days in her childhood Lara has had a difficult but important task. Both her parents are deaf-mute and Lara has to translate from sign-language to the spoken word and vice... See full summary »
The movie deals with the real life story of East German singer and writer Gerhard Gundermann and his struggles with music, life as a coal miner and his dealings with the secret police (STASI) of the GDR.
Director:
Andreas Dresen
Stars:
Peter Schneider,
Bjarne Mädel,
Alexander Scheer
Familiye tells the story of an ex-con who, after his release from prison, has to care for his two younger brothers. One of whom is a gambling addict, the other has Down Syndrome.
Troubled teenager Ben (16) unintentionally confronts his father Heinrich (Tukur), a successful German theatre director staging a play in Marrakesh, with his past and his neglected ... See full summary »
Director:
Caroline Link
Stars:
Ulrich Tukur,
Samuel Schneider,
Hafsia Herzi
Both detectives on a sickening murder case struggle with being alone and childless in their 40s. As they investigate the young man found beaten and strangled to death, platonic friends ... See full summary »
The worlds of a young Russo-German cop who investigates within the Berlin Russian mafia milieu and a young Russian woman who is forced into prostitution, intertwine when they meet and fall in love.
A tragicomic movie which focuses on two women and their daily struggle for survival during a summer in Berlin. Katrin, a jobless single mom, and Nike, a nurse, live in the same house and ... See full summary »
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Four actors, an off-screen narrator, and a director put together an improvisation. Savannah arrives in New York, having arranged to stay in the empty apartment of Michael, an acquaintance. ... See full summary »
Director:
Jay Anania
Stars:
Jonathan Ames,
Isabel Gillies,
Savannah Haske
The Toronto Film Festival was seen by some as not containing very many home runs, especially after the litany of great movies from last year, from "No Country...", "Juno", "Michael Clayton" to "Into the Wild" and "Atonement". But I submit that this year was top-heavy in foreign Oscar potential, from "Waltz With Bashir" to "Gomorra" to this wonderful drama.
Caroline Link is a first-rate director all the way now with this follow-up to "Nowhere in Africa". You watch this movie and you're sucked in after about 10 minutes and you have the feeling that the director is totally in control and everything is running on all cylinders.
This is a family-drama based off the novel "Aftermath", written by a north-eastern American and set in New England I believe, but taken to Germany where it plays just as well because the themes are universal. Not entirely unlike "Ordinary People", the movie follows an upper-crust family that loses their teenage son in an apparent hunting accident. We spend much of the time with his older sister, a dance/theatre student, and a professional middle-aged painter who lives alone in a studio-flat as he's commissioned by the mother to paint a portrait of the two siblings as a remembrance. Lilli, the daughter, played by Karoline Herfurth (one of the unfortunate victims in "Perfume") thinks the whole idea of this painting is insane. She's wise beyond her years, tough and engaging, precocious, but tests her sexual prowess in ways that cause her more aggravation once she gets the attention which show her physical age.
Her performance and the way she relates to the painter are the key in this movie, and they find they are kindred spirits, both nursing personal wounds. The parents are mostly distant, but every one of their scenes reveal a depth of feelings and signals, especially from the mother, that the younger son was the glue that held the family together.
I loved this movie. I loved every single scene, and there wasn't a wasted moment. It doesn't ever strain for melodrama but sees it's characters from a level gaze, revealing wounds and themes of loneliness and shame that are very maturely handled by director Link. Kudos as well for a very good music score that serves the tone of this movie excellently.
Watch for this movie in the foreign film category come Oscar time.
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The Toronto Film Festival was seen by some as not containing very many home runs, especially after the litany of great movies from last year, from "No Country...", "Juno", "Michael Clayton" to "Into the Wild" and "Atonement". But I submit that this year was top-heavy in foreign Oscar potential, from "Waltz With Bashir" to "Gomorra" to this wonderful drama.
Caroline Link is a first-rate director all the way now with this follow-up to "Nowhere in Africa". You watch this movie and you're sucked in after about 10 minutes and you have the feeling that the director is totally in control and everything is running on all cylinders.
This is a family-drama based off the novel "Aftermath", written by a north-eastern American and set in New England I believe, but taken to Germany where it plays just as well because the themes are universal. Not entirely unlike "Ordinary People", the movie follows an upper-crust family that loses their teenage son in an apparent hunting accident. We spend much of the time with his older sister, a dance/theatre student, and a professional middle-aged painter who lives alone in a studio-flat as he's commissioned by the mother to paint a portrait of the two siblings as a remembrance. Lilli, the daughter, played by Karoline Herfurth (one of the unfortunate victims in "Perfume") thinks the whole idea of this painting is insane. She's wise beyond her years, tough and engaging, precocious, but tests her sexual prowess in ways that cause her more aggravation once she gets the attention which show her physical age.
Her performance and the way she relates to the painter are the key in this movie, and they find they are kindred spirits, both nursing personal wounds. The parents are mostly distant, but every one of their scenes reveal a depth of feelings and signals, especially from the mother, that the younger son was the glue that held the family together.
I loved this movie. I loved every single scene, and there wasn't a wasted moment. It doesn't ever strain for melodrama but sees it's characters from a level gaze, revealing wounds and themes of loneliness and shame that are very maturely handled by director Link. Kudos as well for a very good music score that serves the tone of this movie excellently.
Watch for this movie in the foreign film category come Oscar time.