The Triangle (2005)
Some classic comedies will also become available in September, like the original “Ghostbusters,” “Jerry Maguire,” and “Smokey and the Bandit.” In more of a dramatic mood as the weather shifts? Dramas like “Sleepless in Seattle” starring Tom Hanks and Meg Ryan should do the trick.
Other movies arriving include newer flicks “Future World,” “Beirut,” “Strangers Prey at Night,” “Pistorius,” “Stronger,” “On Chesil Beach,” “My Little Pony,” “Hot Summer Night,” “Escape Plan 2,” “Jigsaw” and “Suburbicon.”
Also Read: Amazon Explores Acquisition of Landmark Theatres (Report)
See below for the complete list.
*King Lear, Season 1 (Prime Original series)
Asylum, Season 1
The Blue Rose, Season 1
The Broker’s Man, Seasons 1-2
The Field of Blood, Seasons 1-2
The Gingerbread Girl was originally published in Esquire magazine and was later included in King’s 2008 collection of stories Just After Sunset.
For those of you not familiar with the story, it focuses on a woman named Emily, who is "recovering from a recent loss in a secluded house in the loneliest stretch of New England. She avoids contact with her husband and her father and channels her grief into a grueling daily running regimen. This is doing her all kinds of good, until one day she makes the mistake of looking into the driveway of a man named Pickering. Pickering also enjoys privacy, but the young women he brings to
Brainstorm Media has acquired the rights to the tale, tapped Craig R. Baxley to direct the movie, as well as co-writing the script with King. Baxley has plenty of experience with King’s work, having helmed the TV adaptations of Storm of the Century, The Triangle, Kingdom Hospital and Rose Red. Another frequent King collaborator, Mitchell Galin, is serving as producer.
Appearing in the 2008 short story collection Just After Sunset, The Gingerbread Girl “focuses on Emily, a woman recovering from a recent loss in a secluded house in the loneliest stretch of New England. She avoids contact with her husband and her father and channels her grief into a grueling daily running regimen. This
Frequent King collaborator Craig R. Baxley will direct the film from a screenplay written by King and Baxley. Mitchell Galin will produce. Casting is currently underway.
Baxley has previously directed the King adaptations Storm of the Century, The Triangle, Kingdom Hospital and Rose Red, while Galin produced the adaptations of King’s Pet Sematary, The Stand, Thinner, The Night Flier, Creepshow 2, The Langoliers and Golden Years.
The Gingerbread Girl originally appeared in Esquire magazine, and was later included in King’s 2008 collection of stories Just After Sunset. The story focuses on Emily, a woman recovering from a recent loss in a secluded house in the loneliest stretch of New England.
King is set to co-write the script with frequent collaborator Craig R. Baxley, who will also direct. Baxley previously directed television adaptations of King’s novels “Storm of the Century,” “The Triangle,” “Kingdom Hospital,” and “Rose Red.” Casting for “The Gingerbread Girl” is currently underway.
Mitchell Galin will produce “The Gingerbread Girl,” having previously produced adaptations of King’s “Pet Sematary,” “The Stand,” “Thinner,” “The Night Flier,” “The Langoliers,” and “Golden Years.”
The film and television production company Electric Entertainment, owned by producer/ writer and previously an actor, Dean Devlin, has recently launched an international theatrical film and television sales and acquisitions division. Devlin has appointed industry veteran Sonia Mehandjiyska to run the new division, which will represent Electric’s original productions as well as third-party product from A-list filmmakers and seasoned television producers from around the globe.
Dean Devlin's Electric Entertainment has recently acquired two new projects, Critical Hour and No Good Deed as director vehicles for Devlin and Electric's Marc Roskin respectively. Eric Tipton wrote Critical Hour, and Brandon Boyce ( Apt Pupil, Wicker Park) penned No Good Deed. Devlin, Roskin and Electric’s Rachel Olschan are producing both projects.
Dean and I spoke together about his plans and his incredible trailblazing in the international film business.
How was Toronto?
Toronto was interesting as the place to begin international sales again. It's been a while since I started Voltage with Nicholas Chartier.
What decided you to return to international sales?
Since 2004, we have been independent and we have about 100 hours of entertainment. We have studios in Portland, a state-of-the-art post-production facility here in L.A. We think we can leverage all these assets to bring down costs, not only for ourselves but for others. We want to capitalize on what such a workflow can bring to the marketplace.
What size films are you looking to make and represent internationally?
$25 million and under to start. We want to build on our brand identity. We want to continue with the genres we have been doing.
I notice that you began as an actor in 1980 as the boy in The Bodyguard, and then you wrote 1992 you wrote Universal Soldier. Then you wrote and produced Stargate and Independence Day. Are you still writing?
Yes, in fact I wrote and am now producing Geostorm with Skydance Pictures' David Ellison and Dana Goldberg and Paramount.
(Author’s note: I just realized, as I write this, that Geostorm will actually be Dean’s directorial debut!)
Will Paramount release U.S. And Electric Entertainment take foreign?
No, actually Paramount will take worldwide rights to this film as it is larger than those we will take on initially.
I notice you also are working in television. Which do you prefer, TV or theatrical?
When I started, TV was very formulaic. Now movies are more expensive and predictable and TV has exploded. With all the channels, it has become more creative. I love TV as much as I love film.
You have also produced documentaries – well you exec produced Who Killed the Electric Car? and other docs (Spine Tingler! The William Castle Story and Bellflower , Becoming Santa and Go Far: The Christopher Rush Story) give you thanks. Will you continue with docs?
We all know about passion projects. I don't have plans for docs, but there are some which I feel passionate about and so I get involved with them.
Any plans for U.S. Distribution?
No plan yet. But it's interesting to see all the forms of releasing, like iTunes releasing before theatrical on certain types of films. Perhaps in the distant future we will get into U.S. Distribution, but not yet.
You showing such intelligence in your planning and executing. It's a pleasure to see you at work.
Thank you. I think that to have any creative freedom requires risk taking. People are quick to criticize the studio system but we know they are taking risks every day and I think we need to share the risk which is what I am doing.
Well you are really keeping up with the times and the changes and I wish you great success. And thank you for taking the time to talk with me about Electric.
Industry vet Sonia Mehandjiyska serves as Head of International Distribution
Mehandjiyska introduced Electric’s slate to buyers at the Toronto International Film Festival and is proceeding on sales at the American Film Market. She was previously Head of Sales at Global Screen, a Bavaria-Telepool joint venture in Munich, Germany, where she negotiated license agreements on theatrical films, TV Series and M.O.W.’s for one of Europe’s biggest libraries.
Since 2003, Mehandjiyska has served in a variety of international distribution positions with Gibraltar Entertainment, Lightning Entertainment and Echo Bridge, where she served as Vice President of International Sales in their London office.
Devlin commented, “Sonia’s business acumen, professionalism, and taste for material represents exactly what I am looking for in the person we want to head our new division. We welcome her to the Electric family, and look forward to working with her as we present our product to the global marketplace.”
“I am thrilled to be working with Dean as he builds Electric into a full-service independent production and distribution company. His reputation and astonishing body of work is indisputable, and an inspiration as I move half-way across the globe to join the company,” said Mehandjiyska.
The first project for the new division is The Wannabe, a film written and to be directed by Nick Sandow, starring Patricia Arquette ( Stigmata, True Romance, “Boardwalk Empire”), Vincent Piazza ( Jersey Boys, “Boardwalk Empire”), and Michael Imperioli (“Oldboy,” “The Sopranos”). Martin Scorsese will Executive Produce the project. Electric Entertainment is fully financing the film and Executive Producing along with Traction Media (Short Term 12). Lizzie Nastro (Bluebird) and Michael Gasparro are producing. Set in New York City during the early 1990s, the film centers on Thomas (Piazza), a man obsessed with mob culture who attempts to fix the jury in the trial of John Gotti. But as the plot is foiled and he’s rejected by the ones he idolizes most, he sets off with Rose (Arquette), a neighborhood fixture, on a ride worthy of mob lore.
Electric recently wrapped its fifth and final season of TNT’s action-packed drama “Leverage,” which starred Academy Award® Winner Timothy Hutton and was Executive Produced by Dean Devlin, John Rogers, Chris Downey and Marc Roskin. “Leverage” won the 2013 People’s Choice Award for Favorite Cable TV Drama.
Electric’s other television credits include TNT’s "The Librarian" starring Noah Wyle, which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents Taken” (2002).
Devlin is currently in pre-production on his feature directorial debut, Geostorm, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan. Paramount retains worldwide rights to the film.
What’s even better is the subject – it takes place in a Northern California town cleaning up after the military has taken down a Kaiju! (That’s a Godzilla kind of monster, in case you missed the dozens of posts here about Pacific Rim.) Here are all the deets:
Syfy, Bryan Singer/Bad Hat Harry Productions And Universal Cable Productions Developing 90-minute Pilot Script Creature At Bay
New York – September 20, 2013 – Syfy is teaming up with Bryan Singer (X-Men: Days of Future Past) and his Bad Hat Harry Productions to develop a 90-minute pilot script titled Creature at Bay.
Fans Can Join The “Leverage” Crew Friday, June 3 - Sunday, June 5, To Go Behind-the-scenes Of The Hit TNT Series
“Leverage” Season 4 Premieres June 26 On TNT
Los Angeles, CA (March 24, 2011) – Calling all grifters! Building on the success of the inaugural event in 2010, Dean Devlin and his team at Electric Entertainment look forward to hosting Con-Con 2011: An Official “Leverage” Event in Portland, Or, from Friday, June 3, through Sunday, June 5. “Leverage” fans from around the world will descend on the city for the opportunity to meet the team behind TNT’s hit caper series at the show’s one-and-only official fan convention.
Last year’s Con-Con drew hundreds of enthusiasts for a series of events at the historic Governor Hotel in downtown Portland. This year’s events will include Q&As with some of the cast; autograph
TNT has picked up the series for a third season which will start in the summer of 2010 and include 15 new episodes.
“Thanks in large part to its engaging cast and clever storytelling, Leverage has proven itself to be one of the most exciting and fun hours on television,” said Michael Wright, executive vice president, head of programming for TNT, TBS and Turner Classic Movies (TCM). “The producers, cast and crew have been incredible to work with, and we anticipate another wonderful season.”
Below is the actual press release from TNT about the renewal.
The Con is On as
Singer is to produce the project for the former Sci-Fi Channel with Andrew Deane and Keith Addis. The as-yet-untitled story will deal with the 2012 doomsday prophecies based on interpretations of the Mayan calendar.
Singer (pictured) previously collaborated with the channel in 2005 on The Triangle, a miniseries exploring the mysteries of the Bermuda Triangle.
This latest project will be written by Michael Petroni (The Chronicles of Narnia: The Dawn Treader) and Michael Bond (Passengers).
The project's official synopsis is:"A thrilling action-adventure story blending scientific fact and myth with popular conspiracy theories centring on the Mayan calendar and what it predicts for mankind at its end date.
"With a feel of Da Vinci Code and National Treasure, it tells the story of a down-on-his-luck author/professor who goes on a worldwide adventure to
December 21, 2012, is a date that has been speculated about for a long time. It's the end of the Mayan calendar, and many theorists have speculated that this date will mark the end of the world. Of course, it is one among many dates that supposedly hold the end of the world (Y2K, anyone?).
So it's no surprise that as the date itself draws nearer, it's becoming more and more of a pop culture focus. The date was a recent subject of Penn & Teller: Bullsh*t! , and 2012, a film starring John Cusack, is set to be released in November.
According to the Hollywood Reporter, SyFy has caught on to that trend too, and has announced plans to create a miniseries based around the projected catastrophe. The series, announced yesterday, will also be produced by Bryan Singer (director of X-Men and Superman Returns). Singer (and
"I have always been fascinated by the various myths and conspiracy theories surrounding the Mayan calendar," Singer said in a statement. "It's the most accurate calendar created by man, so accurate that many believe its origins may lie elsewhere. Regardless of what you believe, what is truly mysterious about this is that a number of cultures and religions, including Hinduism, all point toward a period of great upheaval which happens to coincide with the final month and year marked by the calendar. Our story will explore whether we are truly alone in the universe, and other related mysteries, all of which are set against the backdrop of an incredibly exciting and fast-paced adventure."
"I have always been fascinated by the various myths and conspiracy theories surrounding the Mayan calendar," Singer was quoted as saying in a statement. "Our story will explore whether we are truly alone in the universe and other related mysteries, all of which are set against the backdrop of an incredibly exciting and fast-paced adventure."
The not-yet-titled project, which is said to be an action-adventure, will have its script penned by "The Chronicles of Narnia: The Voyage of the Dawn Treader" scribe Michael Petroni with the assistance from Michael Bond. It
Singer first worked with the network to produce the 2005 miniseries The Triangle. This new project for SyFy is said to be similar to The Da Vinci Code and National Treasure.
The film itself will be "an action-adventure about the Mayan calendar predicting the end of the world."
"I have always been fascinated by the various myths and conspiracy theories surrounding the Mayan calendar," Singer stated. "Our story will explore whether we are truly alone in the universe and other related mysteries, all of which are set against the backdrop of an incredibly exciting and fast-paced adventure."
How did you become the composer of of the Librarian series?
I was introduced to Dean Devlin, the producer, and Peter Winther, the director, when they were looking for a composer. They already knew of my work, and we hit it off from the beginning.
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