Full-throttle splatter-ific Japanese cyberpunk science fiction/horror at its most aggressive, this mind-blower about alien parasites that turn their human hosts into slave "Necroborgs" will leave you dizzy and drained - in a good way.
In this ferocious sequel to the worldwide horror hit THE DEAD, an infectious epidemic spreads through India as an American turbine engineer (Joseph Millson of TV's 24: LIVE ANOTHER DAY) ... See full summary »
Howard J. Ford,
Anand Krishna Goyal
One elevator, one girl who can read minds and one floor where the elevator should have never stopped: the ideal ingredients for a classic piece of weird horror. In the claustrophobic space ... See full summary »
A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
The box bills TOKYO ZOMBIE as the Japanese SHAUN OF THE DEAD, but sadly that turns out not to be the case. This is a very low budget, entirely offbeat Japanese comedy, that's more interested in the sport of jujitsu than actual zombies. In fact, the zombies themselves turn out to be a mere plot device, a background for the central storyline which is about the friendship between two demented buddies.
It starts off on a fairly good footing, reminding you of some of the classic Japanese zombie films like JUNK and VERSUS, which all seemed to be filled with loads of chaotic energy and incident. Sadly, as the storyline progresses at a very slow pace indeed, you realise that TOKYO ZOMBIE just doesn't know what kind of film it wants to be. The zombies are dull and the storyline is silly, going nowhere and offering little of the surreal humour I'd expected to see.
It all falls apart for me around the halfway mark, where there's a gap of five years, because the second half just isn't as interesting as the first. The whole idea of the satirical gameshow is just a flop from the beginning and the film concludes with a whimper rather than a bang. The characters are an acquired taste to say the least and the production values are low; I usually like offbeat Japanese fare but not this time. I didn't laugh once.
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