As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.Written by
The top grossing film of summer 2017 in North America with a gross of over $410 million, the first time a live-action film with a female lead has led the summer box office since receipts were regularly tracked in the 1970s. See more »
The village of Veld is allegedly a French village (the name of the town Hazebrouck is on the map and information on buildings are all in French). However on the awning of the bar, there is the word "bier" which is in Flemish or German. In French, it should be "bière". However, this might be correct, as Hazebrouck is in French-Flanders, where a lot of people used a dialect of Flemish at that time. See more »
I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether.
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When the Warner Bros logo appears, the "Wonder Woman" cello theme is heard. See more »
A Visual Extravaganza Brimming with Heart and Reason
Patty Jenkins' 'Wonder Woman' movie begins with a rocky, uneven start. But this very flawed pace allows the origin story of the amazonian warrior mature in a compelling build- up, and eventually navigate towards the rest of her story in a riveting seismic progression. It gathers an affectionate sentimentality that sustains its potency even amidst the imposing explosive sequences that often triumph to take the audience's attention away from the oddly satisfying distraction, that is Gal Gadot. There are these resonating anthems that remain ablaze throughout the film's 140-minute duration: love and peace, sacrifice and courage, and while it gets extremely preachy sometimes, the narrative rarely gets boring. Jenkins' take on the genre doesn't abandon the idea of terror, and mass destruction, but it singularly escapes the confines of superhero clichés that eliminate its players' moral form. In 'Wonder Woman', Diana Prince's humanity is held by Gadot's portrayal with a bracing commitment, something she never loses even when confronted with the deceptive appeal of evil and darkness. Her heroic verve gets an unexpected reinforcement from Chris Pine's Steve Trevor, with whom she shares a surprisingly inherent chemistry. This is the first DC film in a very long time, to ever sustain such visceral distinction, a visual extravaganza brimming with heart and reason.
Diana Prince's story takes us to a mysterious island known as Themyscira, hidden by Zeus in a protective dome of dim and mist, far from the grasp of humanity. She grows to believe that it is her sacred duty to protect her world, not knowing such 'world' will include what is beyond the clouds. But when the first man arrives in a suspicious water- crash landing, she expands her understanding and begins to welcome the idea of defending whoever needs help in the other side. But this eagerness barely entirely rests on a moral responsibility; she believes that Ares, the God of War, and her inevitable nemesis, is what causing the war waged by humans, and she needs to kill him in order to restore peace to both worlds. In one spine-chilling moment within her breathtakingly choreographed fight sequence with Ares, Diana rises from a fall, and virtually carries out her meteoric ascent, a symbolic assumption of her superhero status.
But in spite of the amount of physical tension and visual explosion, Jenkins balances the flavor by injecting humor and romance, utilizing them even in places where gripping action sequences are imminent. Chris Pine shines in his own moments, a remarkable feat for a character in a saga that seems to underscore women empowerment. There is a powerful moment where he grapples for words to ask for Diana's help to win the war; he practically breaks down, a stirring and moving scene to behold. Part of the film's colossal allure is its heart--it never loses it, doesn't intend to, and it grows to more awe-inspiring forms as it reaches a resonating, albeit predictable, resolution.
It is ironic to think that Diana Prince isn't human, but appears to be the most one, when compared with her colleagues in the looming 'Justice League' film. In the end, 'Wonder Woman' isn't a film free of blemishes as it still stumbles upon political truths it rarely gets justified, and minor expositions it doesn't seem interested to shed light on. But it has soul, humor, and wonder-- a narrative spectacle one seldom finds in a film of its sort.
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