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As You Like It (2006)

A daughter of the powerful Duke must show her courage and inventiveness to be with the man she loves.


Kenneth Branagh


Kenneth Branagh (adaptation), William Shakespeare (play)

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Nominated for 1 Golden Globe. Another 1 win & 5 nominations. See more awards »



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Cast overview, first billed only:
Takuya Shimada Takuya Shimada ... Geisha
Brian Blessed ... Duke Senior / Duke Frederick
Richard Clifford ... Le Beau
Bryce Dallas Howard ... Rosalind
Patrick Doyle ... Amiens
Romola Garai ... Celia
Adrian Lester ... Oliver De Boys
Alfred Molina ... Touchstone
Kevin Kline ... Jaques
Janet McTeer ... Audrey
Gerard Horan Gerard Horan ... Denis
David Oyelowo ... Orlando De Boys
Richard Briers ... Adam
Nobuyuki Takano Nobuyuki Takano ... Charles
Paul Chan ... William


Rosalind, the daughter of Duke Senior (the banished Duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his Dukedom), with her cousin Celia (daughter to Duke Frederick). She falls in love with a young man named Orlando, but before she can even think twice about it, she is banished by Duke Frederick, who threatens death if she comes near the court again. Celia, being Rosalind's best friend, goes with Rosalind (who is disguised as a boy, Ganymede) and Touchstone, the court's fool, to the forest of Arden. Upon their arrival in the forest, they happen upon Orlando and his manservant, who are fleeing the wrath of Orlando's eldest brother. What follows is an elaborate scheme devised by the cross-dressing Rosalind to find out the verity of Orlando's supposed passion for her, and to further capture his heart, through the witty and mischievous façade of Ganymede. Written by Jess D.

Plot Summary | Add Synopsis


Romance...or something like it.


Drama | Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG for violence and some sexual material | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

HBO [United States]





Release Date:

21 September 2007 (UK) See more »

Also Known As:

Comme il vous plaira See more »


Box Office

Opening Weekend:

£9,444 (United Kingdom), 23 September 2007, Limited Release
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.78 : 1
See full technical specs »

Did You Know?


Kenneth Branagh: The director has a brief cameo in the epilogue, which breaks the fourth wall. He follows Bryce Dallas Howard with his camera and can be heard saying, "And...cut!" See more »


Jaques: More. More. I prithee, more.
Amiens: It will make you melancholy, Monsieur Jaques.
Jaques: I thank it. More, I prithee, more. I can suck melancholy out of a song, as a weasel sucks eggs. More, prithee, more.
Amiens: My voice is ragged: I know I cannot please you.
Jaques: I do not desire you to please me, I do desire you to sing. Come, more; another stanza: call you 'em stanzas?
Amiens: What you will, Monsieur Jaques.
Jaques: Nay, I care not for their names. They owe me nothing. Will you sing?
Amiens: More at your request than to please myself.
Jaques: Well ...
See more »

Crazy Credits

The picture seems to end without the play's Epilogue. Then, the closing credits begin, when they are suddenly interrupted by Bryce Dallas Howard, still in character as Rosalind, who then is seen speaking the Epilogue as she begins to walk to her trailer, drinking a cup of coffee along the way. After the speech, Kenneth Branagh can be heard offscreen saying "Aaaand...cut!" After this, the closing credits resume. See more »

Alternate Versions

An Italian print of the film features the dialogue in English, with none of the actors dubbed, and no English-language subtitles; however, the credits for this version are printed in Italian as if they were the original credits to the film. See more »


Version of BBC Sunday-Night Theatre: As You Like It/II (1953) See more »


Under the Greenwood Tree
Composed by Patrick Doyle
Lyrics by William Shakespeare
Performed by Patrick Doyle and London Symphony Orchestra
See more »

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User Reviews

Over produced and over acted
22 October 2007 | by howard.schumannSee all my reviews

Seeing As You Like It, William Shakespeare's romantic comedy of mistaken identity brought back memories of an amateur production of the Carousel Theater here in Vancouver many years ago in which my son David played a small role. It was a wonderful presentation that thoroughly captured the genius of Shakespeare's delightful imagination. Unfortunately, the new filmed version by Kenneth Branagh with its big budget and professional cast is not in the least bit as convincing or entertaining. It is miscast, over produced, over acted, and simplistic with its multi-layered plot made easier to follow than Sesame Street.

Set in Japan in the 19th Century after the country was opened to the West as a trading partner, the royalty of England have been reinvented as wealthy merchants living on the Japanese seacoast. Neither the opulent backgrounds nor the conceit of the script, however, has any impact on either understanding or enjoyment of the play and the setting seems to be simply a marketing decision not an artistic one. The film opens with a kabuki scene at the court of Duke Senior (Brian Blessed). His brother Frederick, also played by Blessed with black hair, interrupts the proceedings to forcibly overthrow his brother's dukedom and the elder Duke is banished to the Arden Forest. Orlando, played by the Nigerian born David Oyelowo, and his brother Oliver (Adrian Lester) then proceed to fight over their position in the court.

Oliver, aligned with Frederick, entices his brother to take on a 300-pound sumo wrestler to all but certain doom but, as the script will have it, the underdog prevails in spite of a weight differential of about 150 pounds. In addition to being victorious at sport, he also falls for one of his well-wishers, the attractive Rosalind (Bryce Dallas Howard), daughter of Duke Senior. Fearful of her safety at the court, Rosalind, pretending to be a man and, taking the name of Ganymede from the handsome cup bearer to the Gods in Greek mythology, sneaks out with her cousin Celia (Romola Garai) and the clown Touchstone (Alfred Molina) to seek out her father in the Forest of Arden. Soon they are joined by Orlando who also fears for his life after a fight with his brother Oliver over their inheritance.

Before long, a bunch of other personages wander into the film including a melancholy philosopher named Jaques (Kevin Kline) who is described as "an exiled courtier", a young shepherd Silvius (Alex Wyndham) who pursues his reluctant girlfriend Phebe (Jade Jefferies), and others. Curiously, there are two characters named Jaques and two named Oliver, something that most writers would go to any length to avoid. The play is best noted for the cynical soliloquy chronicling the seven ages of man, "All the world's a stage and all the men and women merely players: They have their exits and their entrances, and one man in his time plays many parts", delivered with properly dour expression by Kline.

It would not be a Shakespearean comedy without some gender confusion and Rosalind, after noticing Orlando's love poems neatly positioned on trees all over their neck of the woods, knows that Orlando loves her. Approaching Orlando in her boy disguise as Ganymede, Rosalind endeavors to teach him the finer points of courtship if he would just pretend that he is a she. She uses her charm to seduce Orlando, but also is drawn reluctantly into a relationship with the shepherdess Phebe. In Elizabethan conventions, this meant that a boy playing the girl Rosalind would dress as a boy and then be wooed by another boy playing Phebe.

Quite naturally, this being a comedy and all, everyone ends up happy, (dramatized in a finale of the utmost silliness by Branagh) except for Jaques who, in character, decides not to return to the court. All the pieces are in place for the film to be successful but there are key elements that work against it. For the play to work at all, Rosalind has to be believable as a young man. If she is not, Orlando looks like a complete fool, and the play is robbed of its intended homoerotic playfulness. In this case, Branagh does not even attempt to have Rosalind look masculine and the scenes with Orlando in which he/she is teaching him how to express his love are unconvincing (unless you read it that Orlando goes along with the ruse and the author is simply making a statement about role playing, the masks people wear (himself?) in life, and the inauthenticity of self).

Rosalind is supposed to be pure, innocent, perhaps a little naïve but definitely virtuous. Howard, however, is very un-maiden like in appearance and manner and lacks any noticeable chemistry with her lover. She tries so hard to put the correct inflections in the words that she robs them of whatever poetry they might have had, conveying the impression that she is trying out eagerly for a grammar school play. This is Branagh's fifth attempt to put Shakespeare on film and I'm sure it won't be his last. After achieving considerable artistic but not financial success with the first three, he has opted in this latest film for less of an artistic statement than an overtly commercial approach. Love's Labours Lost was an unmitigated disaster – scorched by the critics and shunned by audiences. Unfortunately, As You Like It may follow in its path.

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