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1408 (2007)

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A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.

Director:

Mikael Håfström

Writers:

Matt Greenberg (screenplay), Scott Alexander (screenplay) | 2 more credits »
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2,957 ( 1,064)
4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... Mike Enslin
Paul Birchard Paul Birchard ... Mr. Innkeeper
Margot Leicester Margot Leicester ... Mrs. Innkeeper
Walter Lewis ... Book Store Cashier
Eric Meyers ... Man #1 at Book Signing
David Nicholson David Nicholson ... Man #2 at Book Signing
Holly Hayes ... Lady at Book Signing
Alexandra Silber ... Young Woman at Book Signing
Johann Urb ... Surfer Dude
Andrew Lee Potts ... Mailbox Guy
Tony Shalhoub ... Sam Farrell
Emily Harvey Emily Harvey ... Secretary
Bill Armstrong Bill Armstrong ... Clay the Lawyer (as William Armstrong)
Kim Thomson ... Desk Clerk
Drew Powell ... Assistant Hotel Manager
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Storyline

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Enjoy your stay. See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 June 2007 (USA) See more »

Also Known As:

Soba 1408 See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$20,617,667, 24 June 2007, Wide Release

Gross USA:

$71,985,628

Cumulative Worldwide Gross:

$131,998,242, 8 February 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Kate Walsh was originally cast in this film, but was forced to drop out, due to scheduling conflicts with Grey's Anatomy (2005). She was replaced by Mary McCormack. See more »

Goofs

When Mike contacts his wife using his laptop, it is clear that he's using Windows XP (blue taskbar with the green Start button), however when the sprinklers go off, the well-known Blue Screen Of Death is of the Windows 98 type: 'Windows' in white on grey background, the rest of the screen being blue, and the error message centered on the screen. The XP BSOD type is simply a little darker blue with white text aligned to the left. See more »

Quotes

[first lines]
Mike Enslin: Hi. Mike Enslin. Checking in.
See more »

Alternate Versions

-***Spoiler Alert - Alternate Ending*** The Director's Cut contains a more tragic ending. Mike Enslin sets fire to 1408 but is not rescued by the fire department. Instead, the last we see of him is when he's lying on his back in the burning room and we hear the words of his daughter "everybody dies". The camera zooms in on the numbers on the outside door, just as they melt from the heat. The next scene is at Mike's funeral where his coffin is lowered into the ground right next to his daughter's; just as the visions 1408 prophesied. Lily is there, being consoled by Mike's agent. As the procession ends, Lily walks to her car and is met by Gerald Olin who is carrying a box. Gerald introduces himself and gives his condolences. He says the box contains some of Mike's belongings still left in the room. He offers it to Lily while also trying to explain, with a sense of hope, that Mike's death of was not in vain and that because of his actions no one else will *ever be able to stay in room 1408. Lily, in too much grief to listen, cuts him off and refuses to accept the box. Gerald returns to his car and opens the box, which contains the nightgown that was sent through the fax machine as well and the burned tape recorder. Gerald plays it and hears the same dialog between Mike and his daughter heard at the end of the theatrical release. As he listens, he sees a young girl in his rear-view mirror waving in his direction. He turns around to look at her and catches a brief vision of Mike Enslin in his back seat, hideously burned. Gerald jumps but the vision quickly disappears. He looks back at the girl who has found her dad that was looking for her. Gerald catches his breath, starting his car and driving off. The final scene goes back to room 1408. We see a specter Mike Enslin staring out the window. The last shot is of him finishing his cigarette and walking towards the door just as he vanishes. See more »

Connections

Referenced in 2007 MTV Movie Awards (2007) See more »

Soundtracks

We've Only Just Begun
Written by Roger Nichols (as Roger S. Nichols) and Paul Williams (as Paul H. Williams)
Performed by The Carpenters
Courtesy of A&M Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

Shined Up
20 September 2008 | by tedgSee all my reviews

Shined Up

I decided to watch this after Polanski's "the Tenant" and that was probably a bad choice, because that film is precious.

This one consists of three elements, typical of the King formula.

The first is the expression of terror, shaped safely so that you can watch but not be personally threatened. I think this is a King invention. Here, we know WE would have taken seriously the warnings so he deserves what he gets. It relieves us.

The second element is trite, so far as I am concerned. Also a King specialty is to weave some sort of emotional trauma into the otherwise merely decorative horror. Here it is the death of our character's child, which happened before we meet him. This allows for the final zinger.

The third element is the stuff I study and that King knows well. I call it narrative folding. Situations are nested in each other. Time gets shifted, at the same time that the period in the room proceeds in real time, even with a clock counting down. Ghosts inhabit ghosts and all people are ghosts. Cold is hot. Water is land. Daughter is wife.

This is the stuff that makes the film work, and I think it is done pretty well. Its why they picked Cusak. He understands this stuff. Has since "Malkovich" and "Fidelity" and mastered in "Identity."

Ted's Evaluation -- 3 of 3: Worth watching.


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