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Four local boys borrow a lot of money from the local mafia. Incompedent as they are, they loose the money. They have to think of infinite ways to earn and return the amount. In seven days...

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Cast

Credited cast:
Adnan Omerovic ... Turcin
Toni Cahunek ... Storz
Klemen Bucan ... Buddha
Miki Bubulj ... Ortic
Rest of cast listed alphabetically:
Goga Angelov ... Kropjejka
Adrijana Balukcic ... Barbi
Edis Becic ... Coban
Igor Bracic ... Halim
Karlo Bratus ... Kupec Trave 1
Alenka Brun ... Nina
Jani Cerne ... Kupec Trave 3
Tomaz Fajfar ... Gospod iz Strazisca 2
Bostjan Gorenc ... Andzo
Vesna Hitar ... Gospa Burek
Martin Janezic ... Burim
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Storyline

Four "enterprising" young men borrow a larger sum of money from the local mob with the intention of embarking on a modern-day entrepreneurship. Utterly incompetent, they lose the money like a shot, and are thus immediately thrust into the rough, provincial underground of the so-called "Kransterdam". By dealing, gambling, blackmailing and implementing other more or less ingenious ideas, they endeavour to regain the money. But if they do not return their debt with interest within seven days, the future will be all but bright for them... "After many long years of boredom at watching Slovenian films, we decided to write and make a film that would have the audiences laughing and relaxed. That would, for a change, have them entertained by a Slovenian film. We decided to make a film on urban youth in an interesting, genre-employing and most entertaining way. I believe that after "Kekec (old slovenian film)", to exaggerate somewhat, there has not been a true Slovenian youth film for years, ... Written by Mitja Okorn

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Ce ze morm umret, raj umrem zadet! (If I die, I'll die high!) See more »


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Release Date:

25 January 2005 (Slovenia)  »

Also Known As:

Itt és ott  »

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SIT 15,000,000 (estimated)
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1.85 : 1
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User Reviews

lighten up
29 March 2005 | by See all my reviews

given the unbelievable constraints placed on an independent filmmaker, i was rather impressed with this movie. Sure, the story is a little tired, but the acting wasn't that bad, and the shots/timing/lighting were exciting. The intro sequence was novel, a great icebreaker, and Okorn has a way of throwing visual curveballs every time the story would normally lose my attention. His style is just on the edge of being too much, but in this film at least, he stops short of that edge, and the shots stay fresh.

Does this movie fall short of its goals as being a "Slovenian film", or more, a new kind of Slovenian film? As an American, even if I could answer that, would you listen? The movie seems Slovenian to me, probably less so to a Slovene. But as western or Hollywood influences are visible in this movie, so are they visible in Slovenia and its culture. Is Okorn maybe just telling the truth that you are denying? I know a story doesn't have to read like Twain or Hawthorne to be "American", nor do they need to follow Preseren or Vodnik to be "Slovenian".

This movie was a first attempt by a young filmmaker, and as such it was more than enough for me to watch the next one.


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