Champion

A life-turned-metaphor, Danny Trejo's story is The Hero's Journey. Your life may not look like his life, but his life is all our lives.

Danny's young adult life was defined by violent crime and drug addiction. He spent 11 years in California prisons. He'll be the first to tell you he got what he deserved. But in prison, in isolation, he stumbled across a wisdom worthy of parable: Only by helping others can you help yourself. Danny abandoned selfish for selfless and separateness for community, and in return his sadness turned to joy and darkness turned to light. Danny walked out of his spiritual and physical prison to serve others. And after prison, Danny's road to a better life came not at anyone's expense, but at everyone's increase: in love, in values, and in faith.

"Champion" is a documentary of one man's journey, limited by its subject, and vulnerable to boredom. But it's subject defies gravity, holding its audience up and lifting them from their seats. Danny Trejo proves the adage: Comedy equals tragedy plus time. Danny is an abundance of all three. Danny Trejo reminds us that redemption is beautiful. Reaching out to God saved his life. Faith in God changed his life. Listening to Danny Trejo just might change your life.

Good Luck to the film's Producers. The film deserves it. Danny Trejo doesn't look for luck, he has faith. And, he earned it.

Don't get me wrong. I respect Danny Trejo more than with the rest of the world along with the girl who interviewed him, however not only did this film physically damage my eyes (though don't get me wrong; I love Mr. Trejo's physique as much as any human should), but the obscure cutaways to people who are strikingly NOT Danny Trejo nearly put me in tears.

Additionally, the editor often switched the movie from colour to black and white. I felt this was a terrible decision, on account of black and white film being incapable of capturing Trejo's full beauty.

I do give credit to Trejo himself who knows how to hold the screen. He truly draws the viewer in--his expressions and phrases and tales of woe captivated me in ways I'd never thought imaginable. Storytelling has never been more fun, and I encourage Mr. Trejo to provide his services to young preschool children.

As far as the film-making goes, the documentarians clearly had little interest in Trejo. First and foremost, the interviewer sounded more bored than I was. Secondly, the movie was sent to me WITHOUT a proper birthdate for Danny Trejo. This date is incredibly important to people all over the world. Every November 11th, people everywhere have a moment of silence to remember and reflect on the tougher moments in Trejo's life. This should NOT have been left out.

Last and the polar opposite of least (aka "most") importantly, I expected at least ONE shower scene. Seriously. WTF. Just one. I mean, c'mon--I took my kids to see THIS? Well, I guess it's back to photoshopping for me.

All in all, Trejo's as awesome as ever but this movie fails to live up to the hype created by my friends and I.

I saw this as part of the Hollywood Film Festival. Unfamiliar with Danny Trejo's work I was totally captivated by the story of his life. From a troubled background with disinterested parents, Danny's life looked bleak. This is the story of Danny's descent into drugs, armed robbery, gangs, alcoholism, incarceration, despair and ultimate redemption as a drugs counsellor and tough-guy actor. As this was a special screening there was a Q&A with Danny and Director Joe Eckardt where they explained that this movie came from an interview with Danny on Latino actors that was supposed to be 3 minutes long, but Danny was so interesting they decided to tell his life story in a stand alone documentary. Danny's story isn't all tears - there's a lot of laughter too and some genuinely moving moments. The editing is erratic and the interviewer vapid but I really hope this gets distribution (and I hope the distributor invests in re-editing) as this story needs a wider audience.

Early on in Chamion, a documentary on the hard-knock life and eventual fruitful career as character actor Danny Trejo (with now over 100 films to his name), the writer/interviewer Cecily Gambrell is asked by Trejo how this is going to go, and she responds that it should just be "like on Oprah." At that moment I sort of cringed, and it was something that would permeate throughout the rest of the film. It goes without saying that the turbulent and sort of inspiring story of Trejo's life from urban squalor to cult movie star status is impressive on its own, and to hear Trejo talk about it in any form is interesting. But the director and interviewer/writer of the film almost go out of their way to make it filmed in an dissatisfying way, which is troubling. At times, with the fade-to-white transitions (which are used quite often), the title cards explaining this or that about Trejo's early years into prison-life, and the shoddy camera-work (frankly I think my near-blind mother could shoot better than this), make it a little unpleasant as a form of storytelling.

Of course, I'm not expecting this to be an Errol Morris or Al Maysles film, but there just seems to be some lack of drive in how the director moves Trejo's story along, and the questions only probe so far enough so that Trejo goes on with his stories simply enough and without too much pretense (the stories involving Bunker are, in fact, some of the best parts, or at least least contrived, in the film). Which is fine, but there seems to be even more under the surface in Trejo's long and bumpy road from juvenile delinquent, habitual drug-user, thief, inmate, and eventual rehabilitated and strong-as-hell actor, than is really checked out on, and it's a little pathetic to see the same short clips from *Spy Kids* shown when his fellow colleagues like Buscemi and Robert Rodriguez talk about his work as a bad-ass in films like Con Air and Desperado (sure it's probably a rights issue, but still, it's such a lame clip to show, even if he is technically playing Machete).

In short, I think that compared to this, a man like Trejo would probably have an awesome time on Oprah's show- maybe not jumping on the couch, but who knows? It almost seems like Rodriguez himself- a second cousin of Trejo- should've made this documentary, as opposed to Eckhart, who's never done a documentary, which shows. This all said, the criticism I had though is really only of the style of camera and editing and the questions given on screen; Trejo himself is consistently watchable and engaging, and its for him alone, if you're a fan (and who isn't after seeing the Machete trailer during Grindhouse), that it's worth checking out.

First of all, let me say that I am a fan of Danny Trejo. I enjoy all of his movies and I wish him the best in everything he does, but this documentary did not do him justice. This piece had so much potential that I feel the director and producer messed up. The had some good footage but it lacked so many elements to tell his story. Here's what the story needed. First, there should of been a mixture of soundbites, photos, film footage, music, etc. to get the viewers attention. Draw the viewer in to the piece. Second, get rid of the producer asking questions on the couch and walking around with Danny on the streets. She was in the way, she was like a reporter in training. Third, what's up with the interview in the yard with him in the shade and the sun in the background. Fourth, he's been in so many movies that there was more than enough footage on him and yet the only thing the director and producer found was spy kids. 5th, he talks a lot of Soledad Prison, the director went to San Quentin and on the way back to L.A. he could not stop by Soledad to shoot a few shots of the prison. The most important thing to remember is to tell a story, listen to what Danny Trejo is saying and you know what kind of footage you need to tell his story. Just tell a story. Last thing is that the director never talked about his famous tattoos. What about the tattoos?