Grimm Love

Oh Man...as the Joker said..."Why so serious?".

It all Starts when We are Young. Psychologist generally Say that Our Personalities are, for the most part, Formed in the Beginning Years. The Complexity of the Human Condition takes so many varied Forms that Occasionally it Produces Monsters of all sorts.

Freedom of Expression allows Us to explore and expose these Aberrations for Education and Entertainment purposes. So, there is a Place for the Data no matter how Horrifying. But most who watch this Movie, Arguably, are doing so for some kind of Horror Movie Thrill. Good luck.

The Film is presented in such a Serious, Deep Deconstruction and is so well done that the Entertainment Value is Vacant and what We are left with is Guilt for Watching, and Sympathy for the Maladjusted Men who are Convinced in that the only way to show a Connection with Humanity is through an Exchange of Material Matter with Sexual Perversion of the most Extreme.

As these Carnivores Consume and Consummate their Love it proves to Them that this is the Ultimate Love. But, this places Them in the Unnatural Selection of the Specie...Categorically...Inhuman.

If Your Party or Gathering is Over and You have Unwanted Lingering Guests. Put this Movie on and it is Guaranteed to Clear the Room. If it does not, go to the Kitchen and start Frying up some Meat. If the Guests are still there...Dial 911. But I Digest...I mean Digress.

I can't help but wonder, after reading so many negative reviews, if people really got this movie. Yes, it is a commentary on a depraved culture. But, as the narration points out, the important things are not what makes us different from people like cannibal Oliver Hartwin, but what makes us the same.

As Hartwin, Thomas Kretschmann does a great job in a role that can be described in a mastery of understatement as "difficult." He plays a man who fantasizes about eating human flesh. He finds the yin to his yang in Simon Groembeck (Thomas Huber, equally superb), a man who's veritable truckload of I.S.S.U.E.S. see him abandoning his GQ model boyfriend to be eaten by a guy with a Herman Munster haircut and a predilection for beige. Go figure. They hook up over that great haven for all the demented and depraved - the Internet. Go team!

Kerri Russell narrates the film in a somewhat unnecessary framing device. Quite frankly, what I found most irritating about the film were the most over obvious attempts to sell it internationally - Russell is the known "face" but the majority of the cast is comprised of German actors. Why not film it in German? Why not drop Russell altogether and instead focus on the relationship between the two men? A relationship which is, in its own way, oddly affecting. For as the title implies...this is a love story.

Well, come on. How many movies does Hollywood churn out annually based on the central premise of a woman (once upon a time Meg Ryan, lately her mini-me Reese Witherspoon) and a man (preferably Hugh Jackman but Mark Ruffalo or one of the Wilson brothers in a pinch) who are made for each other? When you really examine it, this film is based around the same premise. These are two men who are, in Russell's own words as she drably narrates, a perfect match. Far too much screen time is given to Russell poking around Hartwin's farm house and looking generally freaked out, at the expense of the developing of the relationship between two true oddballs. This is not monster and victim - these are two lonely men who have found each other, and not nearly enough time is devoted to the why of it all.

In it's look, the film very much honors it's subject matter, to great effect. It is shot mostly in muted tones, yet avoids the trap similar films have fallen into - namely looking too dark and leaving the audience wondering if they need to turn the contrast on their TV up. Very much a 1970s horror movie feel. Clever tricks abound - we see a grisly horror film being enjoyed by Hartwin reflected on his eyeball in an extreme close up, while in an earlier flashback the camera travels under the sheets to watch him reading under his bedclothes as a child. The running time is concise, a mere hour and a half, with the majority of the film's most difficult to watch scenes occurring in the final twenty minutes. There is the odd unexpected moment of black humor - yes, you feel guilty for chuckling - while the bare bones script is stripped of exposition and all the better for it. On the whole it is a well made movie, not what you'd call entertaining, but a worthy watch none the less.

This was inspired by the real life case of Armin Meiwes who put an ad over an Internet site looking for a willing victim to be slaughtered and their flesh consumed. What made the case so unusual was he was not only serious but another man named Bernd Jurgen Brandes obliged apparently without being physically forced as a share of the event was captured on videotape. "Grimm Love" is a tale that paces as a dark narrative drama with a fictional college student named Katie Armstrong, played by Keri Russell, returning to where these two lived in Germany in an attempt to get inside their heads for a research paper.

Instead of concentrating on horror and shock, the filmmakers switch back and forth between the present with Ms. Armstrong and also in the past with the two men who eventually meet up in a kind of twisted, interconnected fate. Oliver (based on Meiwes) is shown as far back as adolescence with his father leaving, trouble fitting in at school, as well as having no life apart from taking care of his ailing mother. He's alone and looking for companionship, though his way of connecting with people isn't hugs, kisses or long conversations, but instead a longing fixation of consuming the flesh of someone special to feel stimulation and closeness.

Simon (based on Brandes) is a homosexual who fears showing his feelings in public out of misunderstandings and ridicule. He has severe depression and searches for a sense of belonging through some normal and not so normal ways. He looks at extreme fetishes on an Internet chatroom as a way of feeling alive from a life that never accepted him. In 2003, Gay Chinese actor/composer Leslie Cheung was successful but still committed suicide by jumping off a building, likewise Simon also has things going for him, though it's too much and he wants to meet his end with symbolism that directly "severs" ties with his burdensome sexuality that gives him a guilt complex from his mother's suicide at an early age.

Dodging the pulse-pounding route of "Silence of the Lambs," this comes across more like "Kalifornia" by hearing the thoughts and experiences as they come through with narration. It also flows as slow as Cronenberg's "Spider" in an attempt at an on-the-surface character study of these atypical individuals' thought processes and motivations. Though the college student's montages about how these two men affect her take up extra screen time away from finding out more. There are metaphors and poetic wordings interspliced to sway the audience towards deep sympathy for these two fractured individuals. Sometimes making you think with introspection, but at other times being desperate to make a point and forcing their way in, like some of Keri Russells' obvious voice overs instead of letting the camera do the talking.

"Grimm Love" isn't going to be like watching a biopic on the History Channel by just stating the events as is, as the filmmakers are doing select reporting to be more convincing towards a certain compassionate, sentimental way of thinking than letting your own thoughts flow free. To some it's going to be touching, to others it's going to be sympathy for the devil. The heavy leaning towards the first here can take away from the experience as it feels written with a prior agenda in mind, not to mention before all things were considered in the case as the real events took place in only 2001 and an overturned verdict came in 2006 when this came out. I like the angle of diving into their background even if it breaks psychology down for the layman, though this would have worked better as a biography with anecdotes from relatives, friends and experts. Or if a story is to be had, something like the route taken with "Henry: Portrait of a Serial Killer," where the director of that film said he feels that he shouldn't have to decide a stance for the viewer, that that's up to them.

This isn't an exploitation film that takes advantage of real events such as "Men Behind the Sun" did, as it's more suggestive than showing candid nudity and bodily infliction like "Cannibal" about the same events. Though by the time it closes--right after the infamous scenario between the men that's akin to the real life events in "In the Realm of the Senses"--it can't seem to decide what it wanted to be. In the beginning and middle it was going out of its way to reason with the audience that these guys aren't just a couple of kooks with mental issues like the media sensationalized. Though by its close they left the story up in the air and ambiguous with the young woman being either deeply moved or having a change of heart. It makes me believe she was only included as a ploy for the writers to speak through her and then at the end decided it was time enough to let the audience choose. Not to mention at an inopportune time as it ends abruptly and doesn't show what happened next. (See my profile and click chronological for the second review of "Cannibal" or the third review "Downloading Nancy.") (Also submitted on http://fromblacktoredfilmreviews.blogspot.com/)

Not going to lie but the part with the college student made me start falling asleep and looking at the timer. That alone didn't give the movie a good start. However, once I ignored those parts and try to understand the two man I felt sorry for them. Both had issues and mental scars that anyone can relate to. Given not as extreme as the two men but you can still understand a bit. I can understand, why the cops thought of this as a bizarre case. On one hand you have the law telling us what's right and wrong. Then you got consent from that one guy to let Oliver go through with it. So if both approved is the law wrong or Oliver and the victim? I feel this is something the movie tries to convey a bit. Again this movie is not for the feint of heart or weak stomach.

"Rohtenburg" by Martin Weisz is based on a true crime case of German cannibal Armin Meiwes,who butchered and cannibalized computer programmer Bernd-Jurgen Brandes after putting on necrobabes.com an advertisement "I'm looking for a normally built young man between 18 and 25 years for a real slaughter and consumption".It was ultimately banned in Germany due to a lawsuit in which Meiwes successfully argued that the film slandered his deeds and made him look bad.As a person who is really interested in the darkest human deeds I had to watch it.The performances by Thomas Huber as Simon and particularly Thomas Kretschmann as Oliver are very strong,but the film lacks gore and horrifying images of "Cannibal".I also think that Keri Russel's character is completely bland and unnecessary.The film would be better without it.Overall,this film left me a little bit disappointed.Check out Marian Dora's "Cannibal" or horrifying documentary "The Man Who Ate His Lover" for much better understanding of this fascinating case.