Hancock is a superhero whose ill considered behavior regularly causes damage in the millions. He changes when the person he saves helps him improve his public image.
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
While helping his latest client woo the fine lady of his dreams, a professional "date doctor" finds that his game doesn't quite work on the gossip columnist with whom he's smitten.
Two hip detectives protect a witness to a murder while investigating a case of stolen heroin from the evidence storage room from their police precinct.
Former United Nations employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments, and threatening to destroy humanity itself.
The powerful superhero John Hancock has become a joke because of his alcoholism and clumsiness. He has also become the most hated man in Los Angeles. Though he has saved many lives, he also destroyed a lot of property, costing the city millions every time he goes into action. When he saves the life of PR expert Ray Embrey from an oncoming train, the executive is thankful and believes he can restore Hancock's image as a true superhero. He brings the anti-hero home for dinner and introduces him to his son Aaron, a big fan, and to his wife, Mary. But for some mysterious reason Mary doesn't want Hancock anywhere near her or her family.Written by
Rob Marshall, Chicago, IL
Peter Berg said he did this movie for his young son. While editing The Kingdom (2007), his son's frequent visits to the editing room prompted him to make a comic-book style movie. When this script emerged in 2006, with no director attached, he jumped at the chance. In the DVDs extras Michael Mann was actually going to direct the movie. He felt he wasn't the right person, due to all of the CGI sets, and suggested Peter Berg. See more »
Goofs
When the train comes to a halt, the freight car behind the locomotive is a gondola. When Hancock walks around the locomotive and sees the rest of the train piling up behind it, the gondola is now a boxcar. See more »
Quotes
[first lines]
Police Officer:
All units. All units. Code 3 pursuit of 2-11 white SUV heading east on Alameda service road. Suspects: three Asian males. Request back-up immediately. Be advised. Shots fired. Shots fired.
See more »
Crazy Credits
A scene after the credits start to roll. See more »
Alternate Versions
An extended cut was released on DVD and Blu-Ray featuring several additional and modified scenes. The additional scenes include, but are not limited to: Hancock bringing a girl to his trailer to have sex, Mary Embrey driving to Hancock's trailer instead of flying there, and Hancock getting off a prison bus while chained to other prisoners whom he drags behind him. See more »
Hancock has been on my watchlist since I really started liking Will Smith, which was about a year ago. When I finally managed to watch it, I didn't know much about it, apart from it being hopefully a different kind of superhero movie.
At first the movie feels refreshingly simpler compared to the epic superhero movies we keep getting. It felt like most of the idea came from how in those epic superhero movies the heroes cause a lot of damage to the city and its people. But as the story goes forward the story does become richer and, even if I hate the word, more epic.
It's refreshing to see a character like Hancock. He is like an asshole, clearly an antihero (it's already refreshing not to see a brooding white man antihero, mind you), but there's more to him. And what's important we actually can see how he feels about the people kind of hating him, even if he tries to save them. It's not just superficially shrugged off.
I also love how the music is used so well with the story. When the movie becomes more like a superhero movie the soundtrack feels more like a classic score for that type of movies.
Hancock is an entertaining and a surprisingly good superhero movie. I think I would've preferred something simpler, something more refreshing, but Hancock is good for what it is. Of course it's a bit typical, but it has several new elements, and it has great cast. And while the story is not great, there are a lot of things I like about it. Hancock definitely is worth seeing whether or not you are tired with the typical Marvel or DC movies we get.
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Hancock has been on my watchlist since I really started liking Will Smith, which was about a year ago. When I finally managed to watch it, I didn't know much about it, apart from it being hopefully a different kind of superhero movie.
At first the movie feels refreshingly simpler compared to the epic superhero movies we keep getting. It felt like most of the idea came from how in those epic superhero movies the heroes cause a lot of damage to the city and its people. But as the story goes forward the story does become richer and, even if I hate the word, more epic.
It's refreshing to see a character like Hancock. He is like an asshole, clearly an antihero (it's already refreshing not to see a brooding white man antihero, mind you), but there's more to him. And what's important we actually can see how he feels about the people kind of hating him, even if he tries to save them. It's not just superficially shrugged off.
I also love how the music is used so well with the story. When the movie becomes more like a superhero movie the soundtrack feels more like a classic score for that type of movies.
Hancock is an entertaining and a surprisingly good superhero movie. I think I would've preferred something simpler, something more refreshing, but Hancock is good for what it is. Of course it's a bit typical, but it has several new elements, and it has great cast. And while the story is not great, there are a lot of things I like about it. Hancock definitely is worth seeing whether or not you are tired with the typical Marvel or DC movies we get.