Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
The powerful superhero John Hancock has become a joke because of his alcoholism and clumsiness. He has also become the most hated man in Los Angeles. Though he has saved many lives, he also destroyed a lot of property, costing the city millions every time he goes into action. When he saves the life of PR expert Ray Embrey from an oncoming train, the executive is thankful and believes he can restore Hancock's image as a true superhero. He brings the anti-hero home for dinner and introduces him to his son Aaron, a big fan, and to his wife, Mary. But for some mysterious reason Mary doesn't want Hancock anywhere near her or her family.Written by
Rob Marshall, Chicago, IL
During the car chase, Hancock breaks a bottle behind a suspect's car. In next shot, he holds a different, obviously fake broken bottle. See more »
All units. All units. Code 3 pursuit of 2-11 white SUV heading east on Alameda service road. Suspects: three Asian males. Request back-up immediately. Be advised. Shots fired. Shots fired.
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A scene after the credits start to roll. See more »
An extended cut was released on DVD and Blu-Ray featuring several additional and modified scenes. The additional scenes include, but are not limited to: Hancock bringing a girl to his trailer to have sex, Mary Embrey driving to Hancock's trailer instead of flying there, and Hancock getting off a prison bus while chained to other prisoners whom he drags behind him. See more »
I also was at the test screening in Peoria AZ. The film was spot on for the first hour. Jokes were hitting left and right, Smith and Bateman displayed good chemistry, and the special effects, though not always finished, were eye popping nonetheless.
Without giving it away, the final half hour was flat, straying from the comical nature that had preceded it and instead tried to get philosophical and introduce a week paint'by'numbers villain. I spoke with director Peter Berg after the film and he seemed fully aware of the issues relating to the final act. Hopefully the recent "re shoot" will polish up that last act, making Hancock one of the must see blockbusters of the summer. In the form I saw it; it still has a ways to go.
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