As Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.
In Philadelphia, Billy Batson is an abandoned child who is proving a nuisance to Child Services and the authorities with his stubborn search for his lost mother. However, in his latest foster home, Billy makes a new friend, Freddy, and finds himself selected by the Wizard Shazam to be his new champion. Now endowed with the ability to instantly become an adult superhero by speaking the wizard's name, Billy gleefully explores his new powers with Freddy. However, Billy soon learns that he has a deadly enemy, Dr. Thaddeus Sivana, who was previously rejected by the wizard and has accepted the power of the Seven Deadly Sins instead. Now pursued by this mad scientist for his own power as well, Billy must face up to the responsibilities of his calling while learning the power of a special magic with his true family that Sivana can never understand.Written by
Kenneth Chisholm (email@example.com)
The development of a Shazam movie started in 2000 with New Line Cinema, producer Peter Safran, and screenwriter John August working on the project, but went nowhere for several years. New Line Cinema was eventually bought by Warner Bros., and August left the production when film executives requested that the movie be made darker due to the success of Christopher Nolan's The Dark Knight (2008). From there, the project shifted development from a movie to a television series in 2013 - but Segal stated that, at that point, the adaptation was unlikely to happen. The film was saved in 2014 when DC announced plans to adapt the character to film, and was confirmed to be in development later in the year. David F. Sandberg was eventually announced to helm the film in July 2017. See more »
This is supposed to be in Pennsylvania but when they are drinking the beer in front of the store in the window is a sales poster for Nevada lottery tickets. See more »
Technically a 6.5, but definitely not anything to be thrilled about, as there isn't much novelty. I'm not familiar with the comics so I had no special expectations. I can honestly say it was a fun movie, but I just don't see where the glowing praise is coming from.
Story-wise, it does its job without much surprise or imagination. The little drama with Billy searching for his long-lost mom, while being unable to accept companionship from others, is alright. The special FX are good, but there aren't any mindblowing scenes (no real fighting or magic other than smoke and lightning). I didn't mind the villain being one-note, but I wish they did something better than the old "7 deadly sins," or at the very least been more creative with the designs (which look like clay concept models of generic gargoyles and you couldn't even tell which sin was which).
Maybe I'm just cynical, but I didn't find it very funny. Sure I had a few smirks and chuckles now and then, but there wasn't anything roaringly hilarious. If the trailers didn't exactly make you LOL, then you'd probably won't within the full movie. The comparisons to a kid-friendly Deadpool are apt, but without the wackiness that "seals the deal" as most of the jokes are simple/cheesy/cheap (At the very beginning, Billy steals a cop's lunch bag while he pleads against it. Later on he uses his adult form to buy beer and visit a strip club like every teenage boy's wishes. That's pretty much the bar of humor throughout, besides the numerous "Look what I can do!" moments of discovery for the powers.)
There's a large disconnect between the ever-brooding Billy and the upbeat Shazam, almost like a reverse Jekyll/Hyde. I'd be pretty stoked too if I suddenly gained superpowers, but neither character is a natural extension. And except for Freddy, everyone is entirely one-dimensional and stereotypical: overly enthusiastic foster parents, the tech-wizard gamer Asian, the sweet 16-type daughter going off to college, bullies, etc. Billy has probably less than 10 minutes shown interacting with the fosters that him eventually accepting them as family is a giant, unsatisfying leap.
Overall, it's highly forgettable, but kids will enjoy it, assuming they won't be affected by the CG monsters.
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