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Punk: Attitude (2005)

Unrated | | Documentary, Music | 4 July 2005 (USA)
A documentary on the music, performers, attitude and distinctive look that made up punk rock.

Director:

Don Letts

Writer:

Don Letts
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1 nomination. See more awards »

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Cast

Credited cast:
K.K. Barrett ... Himself
Roberta Bayley Roberta Bayley ... Herself
Jello Biafra ... Himself
Glenn Branca ... Musician, Composer
John Cale ... Himself
Bob Gruen Bob Gruen ... Himself
Mary Harron ... Herself
John Holmstrom John Holmstrom ... Himself
Chrissie Hynde ... Herself
Jim Jarmusch ... Himself
Darryl Jenifer Darryl Jenifer ... Himself
David Johansen ... Himself
Mick Jones ... Himself
Wayne Kramer ... Himself
Glen Matlock Glen Matlock ... Himself
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Storyline

Punk: Attitude is a documentary on the history of punk rock in the USA and UK. The film traces the different styles of punk from their roots in 60s garage and psychedelic bands (Count Five, the Stooges) through glam-punk (New York Dolls) to the 70s New York and London scenes and into the hardcore present. Interviews with many of the musicians are edited with live clips and historical footage. Written by Jim Whittaker

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Genres:

Documentary | Music

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

UK | USA

Language:

English

Release Date:

4 July 2005 (USA) See more »

Also Known As:

Punk: Attitűd See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
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Did You Know?

Quotes

David Johansen: You know, rock and roll had become this just be-denimed kind of, drum solo kind of thing, and what we wanted to do was bring it down to three minutes and put that Little Richard drag on top of it. And that's what rock and roll was to us, you know. We were just trying to make rock and roll, you know.
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Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

Loudmouth
Performed by The Ramones
Written by Dee Dee Ramone (as Douglas) / Johnny Ramone (as Cummings) / Tommy Ramone (as Erdely) / Joey Ramone (as Hyman)
Published by Blue Disc Music, Taco Tunes Inc.
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User Reviews

 
Nostalgic Film, Which is a Totally Un-Punk Thing
9 July 2005 | by Matt WallSee all my reviews

I have no doubt that future cultural historians and music cognoscenti will appreciate this competent and fairly broad-sweeping history of the original punk "movement" of the 1970s. But I have to say, as a forty-something who was "there" at the end of the 1970s, there's something unnerving and vaguely depressing to seeing a bunch of fifty- and sixty- somethings waxing nostalgically about their great good old days. I mean, my god, weren't we making fun of the hippies for growing up and going mainstream back in the day? There's nothing more unpunkrock in some ways than a documentary film about punk.

Come to think of it, I think punk may be safely said to have died the instant they started filming it, and Letts' own 'The Punk Rock Movie" was the original culprit. Taking the DIY attitude and transforming it into the mindscreen of the cinema, with all its implications for mass consumption, is a way not so much of preserving the original punk spirit as diluting it.

This is to say, that if anybody has a right to make a film about the scene way-back-when, it's the old-school Letts. (Although it was a bit awkward when he manages to let some of his interviewees refer to him in the third person.) As a documentary, it's a standard mix of stand-up interviews and old stills and footage from the period, which tells the "story" with the reflective blinkers of thirty years of hindsight. So I can't fault this as a movie qua movie.

Whoever takes credit for originating the phrase, "Talking about music is like dancing about architecture", they had it right. I had a hard time finishing watching this movie not because it was a poor telling of the tale -- far from it, my memories coincide with it exactly -- but because it seemed like a far better use of my time to dust off the vinyl of my collection and just listen to the music. Or maybe, even better, go out and find some new music by the current generation of snot-nosed rebels, which will prevent me from wallowing in nostalgia and kick my rear into gear. There's something about the genre of the film documentary that seems to add layers of dust to music and music culture, or sprays them with a preservative that may keep them for future generations but which seems stale as a living thing.

The one moment I loved above all in the flick was the appearance of the now-middle-aged and delicious Poly Styrene, who manages to come off as honest and fresh as she did in X-Ray Spex. But in general the shock of seeing virtually all the (surviving) great bands of the era in paunchy, balding, reflective -- dare I say, mature? -- late middle age made me wince. In about 2015, there'll be a similar documentary about old-school rap, followed ten years later by nostalgic flashbacks about techno and ecstasy...and so on.


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