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Nightwatching (2007)

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An extravagant, exotic and moving look at Rembrandt's romantic and professional life, and the controversy he created by the identification of a murderer in the painting 'The Night Watch'.

Director:

Peter Greenaway

Writer:

Peter Greenaway
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6 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Martin Freeman ... Rembrandt van Rijn
Emily Holmes ... Hendrickje
Eva Birthistle ... Saskia
Jodhi May ... Geertje
Toby Jones ... Gerard Dou
Jonathan Holmes ... Ferdinand Bol
Michael Teigen ... Carel Fabritius
Kevin McNulty ... Hendrick Uylenburgh
Agata Buzek ... Titia Uylenburgh
Natalie Press ... Marieke
Fiona O'Shaughnessy Fiona O'Shaughnessy ... Marita
Reimer van Beek Reimer van Beek ... Titus - newborn
Robert Zalecki Robert Zalecki ... Titus - 4 months
Kacper Kasiecki Kacper Kasiecki ... Titus - toddler
Anja Antonowicz Anja Antonowicz ... Catharina (as Anna Antonowicz)
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Storyline

The year 1642 marks the turning point in the life of the famous Dutch painter, Rembrandt, turning him from a wealthy respected celebrity into a discredited pauper. At the insistence of his pregnant wife Saskia, Rembrandt has reluctantly agreed to paint the Amsterdam Musketeer Militia in a group portrait that will later become to be known as The Nightwatch. He soon discovers that there is a conspiracy afoot with the Amsterdam merchants playing at soldiers maneuvering for financial advantage and personal power in, that time, the richest city in the Western World. Rembrandt stumbles on a foul murder. Confident in the birth of a longed-for son and heir, Rembrandt is determined to expose the conspiring murderers and builds his accusation meticulously in the form of the commissioned painting, uncovering the seamy and hypocritical side to Dutch Society in the Golden Age. Rembrandt's great good fortune turns. Saskia dies. Rembrandt reveals the accusation of murder in the painting and the ... Written by Anonymous

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Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity and language | See all certifications »

Parents Guide:

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Details

Country:

UK | Poland | Canada | Netherlands

Language:

English

Release Date:

2 November 2007 (Poland) See more »

Also Known As:

Nattvakten See more »

Filming Locations:

Poland See more »

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Box Office

Budget:

$7,500,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Peter Greenaway has said of this film: "The 'painter film' is a small genre of its own: Michelangelo, Rembrandt himself (at least twice), Modigliani, Caravaggio, etc, and none more so than just lately. Picasso, Van Gogh (repeatedly), Bacon, Vermeer, and now Goya have received the treatment. I suppose our major aim in the film Nightwatching, apart from trying to match the Master's mastery of light, is to demonstrate Rembrandt as social moralist: it contains a murder mystery - the unraveling of which is the heart of the film. And also to regard Rembrandt as an inventor of cinema before the Lumière brothers...We tried to rise to the challenge in the film, remaking, with high definition digital tape, that upper right-hand corner space of Velázquez's Las Meninas - the area between the walls and ceiling has been described as the greatest bit of painting ever - a painting which is just and only and magnificently a painting of a block of darkly contrasting air. We, too, attempting a grand response Rembrandt image of light, tried to film a block of air that insubstantially floats, irrespective of walls and ceiling. Godard said that the cinema was the truth 24 frames a second. Can painting go better and say that paintings are the truth for all time? What's a second in cinema time if you can have an eternity in painting time? Cinema has come and gone in 112 years. What, then, is the age of painting?". See more »

Quotes

Titia Uylenburgh: Women in the 17th century are allowed to smoke, write, correspond with Descartes, wear spectacles, insult the Pope, and breast-feed babies.
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User Reviews

 
Mannered and Dull
16 November 2008 | by GeneSiskelSee all my reviews

This film, which I saw yesterday at a single, sparsely attended 4:00 p.m. show, part of an AFI European film festival, may thrill Greenaway fans, but a broad cross-section of movie lovers will probably find it mannered and dull. Shot Rembrandt-style, it apparently aspires to be an homage to art, to the 17th century artist, and to his early-modern eye for humanity -- the cinematographer keeps coming back to, and lingering over, eye shots -- combined with a detective story, a psychodrama, a domestic drama, a costume drama, a self-conscious allusion to the director's earlier dramas, and a brawling, lusty slice of Low Country life in the era when kings waged war with parliaments, city walls were just starting to come down, and commerce was beginning to muscle aside the gun as the engine of empires.

The film badly needs editing. Everything that happens when a camera is turned on is not necessarily art or even interesting. The 144 minutes I saw would have benefited had they been shrunk by nearly an hour. First kill all of the improvised scenes. Then kill all of the gratuitous sex scenes and needless expletives. Then kill all of the scenes in which an actor talks directly to the audience. Then kill all of the precious, mannered references to other Greenaway films -- statues played by semi-nude actors, sides of beef hung out to dry, etc. etc. Tighten up the detective story. Lighten up the art analysis. Minimize the posing scenes. Voila. You'd be at 90 minutes without any problem.

Not for the uncommitted or the faint of heart.


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