In a departure from the trademark Alpine settings of Arnold Fanck's Bergfilme ("Mountain Films"), S.O.S. ICEBERG (S.O.S. EISBERG) takes place off the coast of Greenland, where an explorer, ...
See full summary »
The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary ... See full summary »
Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the ... See full summary »
The dancer, Diotima, meets an engineer and skier, Karl, in his cottage in the mountains where they fall in love and have an affair. When Karl's young friend, Vigo, meets her she gives him ... See full summary »
In a departure from the trademark Alpine settings of Arnold Fanck's Bergfilme ("Mountain Films"), S.O.S. ICEBERG (S.O.S. EISBERG) takes place off the coast of Greenland, where an explorer, Karl Lorenz (Gustav Diessl), is stranded on a steadily-eroding iceberg. A rescue crew, led by the heroic Johannes Krafft (Sepp Rist), reaches Prof. Lorenz, but also becomes stranded, as does Mrs. Lorenz (Leni Riefenstahl), who crashes her plane while trying to land in the icy waters of the North Atlantic. Surrounded by polar bears on their shrinking iceberg, the explorer and his would-be rescuers battle the elements, and each other, while waiting for a miracle.
This film, in English, and S.O.S. Eisberg (1933), in German, were filmed simultaneously by Universal. The rise of the Nazi party in Germany brought an end to U.S. and German co-productions such as these films. See more »
This adventure is part travel documentary and part rescue drama as a small group of explorers becomes trapped on a melting iceberg off the coast of northern Greenland where this film was actually shot. Leni Riefenstahl, Gavin Gowland and other performers are merely the supporting cast for assorted glaciers and ice floes, as well as sled dogs, polar bears and various sea planes that buzz and glide over the starkly beautiful arctic vistas.
The Kino DVD release includes both the German and English versions which differ in content as well as language. The German version (directed by Arnold Fanck) is superior in all respects from narrative cohesion to pictorial quality to musical scoring (it reaches positively Wagnerian levels in one powerful sequence that finds Sepp Rist trapped on ice floes amidst raging wind- driven white-capped ocean currents with massive ice formations in the background). The cinematography, by Richard Angst and Hans Schneeberger (what perfect surnames for this project!) is as stunning as anything else of its time.
The English-language version, credited to director Tay Garnett, seems to move in fits and starts by comparison. Most of the dialogue is cut; Riefenstahl's few lines are clumsily inserted and the role played by Gustav Diessl in the German version is taken by Rod La Rocque who speaks barely 10 lines throughout. Gavin Gowland, well known to anyone who has seen Von Stroheim's GREED, surprises with a cultivated, rather high-pitched British accent. (In the German version he speaks a sort of baby-talk dialect and is referred to as "Fatso" by another character.)
In both versions there is a beautiful scene, apparently shot in Thule, Greenland, of a whole Eskimo village, with a dog population at least as large as the human, gathering to watch a sea plane circle overhead and land. Some of the shots of human-polar bear interaction look faked but on the whole it's a visually convincing presentation, with some exciting, rapid-fire edits too.
This film brings to mind TRADER HORN (1931) which also had a documentary feel and dealt with a group of explorers entering dangerous territory to search for a missing person.
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this