We Jam Econo: The Story of the Minutemen

I just attended the premier for this last night at San Pedro's historic Warner Grand Theatre, and man - what a beautiful film. I know that "time sensitive references" are not smiled upon by our IMDb benefactors, but I believe that in this case it is entirely appropriate to put the film in context in this way. A documentary is, by definition, a time sensitive thing - and this one intentionally so as it's release marks the twenty year anniversary of D. Boon's passing. What I experienced last night at the premier is, I think, an integral part of what this film is all about: celebrating the life, and mourning the loss of this tremendous artist.

I first heard the Minutemen in 1985, just months before D. Boon's tragic and untimely death, and so for me, as well as for so many others younger than myself, my love affair with this band has been one of grieving from the very beginning - a grieving which, for Angelenos like myself, is a deeply personal and palpable thing, and one from which it seems we have never fully recovered. ---Until last night. The opening of this movie was like the memorial service for D. Boon that most of us never had. All of LA's punk rock luminaries were in attendance (and in the film!), along with as many of her fans and enthusiasts as the theater could hold, and the feeling was one of - at last - a proper, collective acknowledgment of the contribution made by the Minutemen to punk rock, to DIY, to music period, to each of us; an exhale, if you will, followed by a whoot and a raised fist. The audience cheered and hollered as each of their friends and idols graced the screen to share the myriad ways in which this band touched and transformed their lives, booed at the villains, wept openly at the final goodbye's to D... and this is, I think, what this movie ultimately is: finally, after twenty years, a "time sensitive reference" of the greatness and importance of this band - something which everyone over here knows down in their soul, but which now can be shared with the rest of world with the same level of intimacy - in Mike Watt's own words as he drive's his van around Pedro, in the amazing and extensive live footage of the band, in the very spirit of celebration with which the film was made.

So, see this movie, buy a copy, share it with your friends - then go form a band, make a record, make a movie, start your own label or production company or zine ---or just go drink and pogo!

RIP, D. We love and miss you.

I saw this picture at its world premiere in San Pedro at the historic Warner Grand Theatre on Feb. 25. The place was packed with Minutemen fans, (1500 seats, and it sold out!) and everyone was waiting to see if the filmmakers had done the band justice. We had nothing to worry about, because this is an awesome documentary! The selection of interviewees, the great archival performance and band interview footage, and editing which contributed to a coherent chronological storyline all came together to make this a definitely superior doc! If you don't know that the Minutemen were one of the greatest bands ever, you should see this film and be converted!

Although a lot of the footage is of poor quality, the way the movie is edited taps into the enthusiasm the band garnered during it's live performances. After a screening at the Rice University Media Center in Houston, several attendees mentioned the urge they felt to get up and applaud 20yr old concert footage. The filmmakers did an excellent job of breaking up current interviews with footage they shoot throughout the band's early years. Surviving members of the band and other music contemporaries reminisce about why the Minutemen stood out and were so important. These ideas are then highlighted by concert footage or an archived interview with the band shortly before the death of D. Boon. For example, seeing Mike Watt today talk about growing up in San Pedro and the aggravations of trying to start a band in a small town is accentuated with comments he makes twenty years prior as the band is starting to taste national exposure. Whether you are a fan of the Minuteman, or alternative rock in general, shouldn't matter in choosing this film. The story resonates around the childhood friendship between D. Boon and Mike Watt and how it produced a sound that was one of the most creative in the history of rock n' roll. Imagine a twenty-year class reunion but only the people you liked are going to attend. That's the feeling I walked away with.

Perhaps the best thing about this documentary is that it manages to present a deep and rounded enough picture of a great subject that it will have substantial appeal both to the most devoted long-time Minutemen fan and to those who've never heard of them or experienced their music. For those who've been enjoying the music of D. Boon, Mike Watt, and George Hurley for years, some of the content will be familiar by now, but the story takes on fresh vitality and power when told by the band members themselves--both from archival interviews and in fresh footage of the surviving members.

I wish dearly that this film or something like it had been around 20 years ago since the Minutemen, for all of their magic and considerable virtues, are not only an acquired taste but a somewhat difficult one to acquire. As becomes the focus of many of the testimonials from their contemporaries, they stubbornly stuck out as unique and eccentric even in the (rapidly-calcifying) LA punk scene. In this world of misfits who tended to rush to cookie-cutter formula for some semblance of security or solidarity, the Minutemen insisted on following their own muse, creating not only their own style of music but their own ways of working, their own lingo, and--most of all--their own deeply personal (and yet highly political) way of looking at the world. Because of this rejection of the quick, easy 3-chord punk format and all of its attendant accessories (simple anti-authority anger and lyrics, ripped clothes, tough snarling image), the Minutemen never gave their audience any easy footholds to get into the music. Instead, it took careful, sensitive, and repeated listenings to see the very human spirit(s) behind the music, to appreciate the revolutionary fervor and self-deprecating humor of their outlook. It's easy to forget after 20 years of fanhood just how hard it was and how long it took to really appreciate them, but this film will make the chore much less painful for prospective new converts, since the guys themselves and their most sympathetic fans and friends get to tell the story and set the record straight. As Watt himself muses at one point, so much of what they did was wildly misunderstood at the time, which is why there was and is a burning need for a film like this--it allows us to finally get the clearest look yet at the inner workings of a truly unique, intelligent, and heartfelt band.

This brings us to another reason why it's so wonderful even for those who don't know the Minutemen, or even those who can't or won't enjoy the music--there's a great, great story at the heart of this film, the tale of a rare and wondrous creative friendship sundered by a senseless loss that is tempered by the brave and inspiring way in which Watt in particular has continued to wave the banner of honesty, homespun truth, and DIY. D. Boon's untimely demise is also made meaningful by the obvious reverence and respect shown by so many of his contemporaries, by the clear spiritual influence he has had on so many other musicians. Though gone, his music and spirit lives on, never more perfectly captured than in this loving documentary.

I was at the premiere too, and was surprised at how undated the music was. I saw the Minutemen a number of times (best was on the boat in San Pedro harbor, with the Meat Puppets) and this film captures their essence surprisingly well. D. Boone, where are you when we need you! I'm here on the Internet trying to find a place to buy a copy of this excellent film. The music is aggressive and lively and always interesting. The film mainly consists of interviews about the Minutemen coupled with amazing live performances; my friend Andrea Enthal pointed out that they got such excellent renditions of Minutemen songs by combining many live performances to get excellent delivery and sound quality of almost every line. The spirit of the Minutemen lives on.