Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. ... See full summary »
In New York, the polite dance instructor Pierre Dulaine sees a black teenager vandalizing the car of the director of a public school and on the next day he volunteers to teach dance to students to give respect, dignity, self-confidence, trust and teamwork. The reluctant director Augustine James offers the troublemakers that are in detention expecting Pierre to give-up of his intentions. Pierre struggles against the prejudice and ignorance of the students, parents and other teachers, but wins his battle when the group accepts to compete in a ballroom dance contest. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally, Antonio Banderas turned down the part of Pierre when he looked at the script and realized the whole film was about ballroom dancing. The producers begged him for a few minutes for them to explain the story. After hearing this, viewing a documentary on and meeting the real Pierre Dulaine, Banderas signed on. See more »
In one scene in the basement, Pierre calls YaYa by her real name instead of her character's name. See more »
If she allows me to lead she trusts me, but more than that she's trusting herself. Now if your 16-year-old daughter is strong and trusts herself. How likely is she to let some idiot knock her up? And if your son can learn to touch a girl with respect, how will he treat women throughout his life?
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This movie I will applaud for it's use of the art of montage. Every montage had a purpose - and they were edited together with the music super well. Not only were images from two different worlds combined in the montages - but music from two different worlds as well.
Growing up in East Los Angeles I could relate at a lot of different points. My family didn't have it bad, but the people around me did. I can see how the dance programs would boost self-esteem and add culture to kids who didn't have chances at culture.
The characters are well fleshed out (which is amazing for most recent movies) and Antonio Banderas gets to be his uber-suave, ultra-rich self. Dulaine opens doors and stands for ladies - moves that one kid in the movie calls "punk-@ss".
It's a familiar story line for anyone who has seen the typical teacher movie, but there's enough intrigue in the characters, the dance and the music to keep in highly entertaining. The theater audience with us was cheering, laughing and cat-calling at different points and the lady next to me kept saying how she couldn't wait for this to come out on DVD.
46 of 55 people found this review helpful.
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