7.5/10
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You, the Living (2007)

Du levande (original title)
Not Rated | | Comedy, Drama, Music | 21 September 2007 (Sweden)
You, the Living is a film about humankind, its greatness and its baseness, joy and sorrow, its self-confidence and anxiety, its desire to love and be loved.

Director:

Roy Andersson

Writer:

Roy Andersson
10 wins & 6 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Elisabeth Helander Elisabeth Helander ... Mia (as Elisabet Helander)
Jörgen Nohall Jörgen Nohall ... Uffe (as Jugge Nohall)
Jan Wikbladh Jan Wikbladh ... The fan (as Jan Wikblad)
Björn Englund Björn Englund ... Tubaplayer
Birgitta Persson Birgitta Persson ... Tubaspelarens fru
Lennart Eriksson Lennart Eriksson ... Man on the balcony
Jessika Lundberg Jessika Lundberg ... Anna
Eric Bäckman Eric Bäckman ... Micke Larsson
Rolf Engström Rolf Engström ... Trumslagaren
Jessica Nilsson Jessica Nilsson ... The teacher
Pär Fredriksson Pär Fredriksson ... The carpet dealer
Leif Larsson Leif Larsson ... Carpenter
Patrik Anders Edgren Patrik Anders Edgren ... Professor (as Patrik Edgren)
Gunnar Ivarsson Gunnar Ivarsson ... The businessman
Waldemar Nowak Waldemar Nowak ... The pick-pocket
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Storyline

A series of scenes that focus specially on a single idea, emotion or act us. In the absence of interfering qualities this film is able to take one factoring influence and amplify it to absurd and hilarious proportions. Each scene gives us an uninterrupted view at some of the more unglamorous characteristics that in the end determine who we are, both as individuals and as a thread in the patchwork of the collective human unconscious. Written by kwedgwood@hotmail.com

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Music

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Sweden | Germany | France | Denmark | Norway | Japan

Language:

Swedish

Release Date:

21 September 2007 (Sweden) See more »

Also Known As:

You, the Living See more »

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Box Office

Opening Weekend USA:

$6,924, 2 August 2009

Gross USA:

$21,438

Cumulative Worldwide Gross:

$1,843,810
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

This consists of 50 short sketches, each scene filmed in one take. See more »

Quotes

The psychiatrist: Oh dear, oh dear, oh dear.
[examines the large stack of patient's files]
The psychiatrist: I am a psychiatrist. I have been for 27 years. I'm completely worn out. Year after year, listening to patients who aren't satisfied with their lives, who want to have fun, who want me to help them with that - it wears you out, I can tell you. My life isn't exactly a lot of fun either. People demand so much. That's the conclusion I've drawn after all these years. They demand to be happy, at the same time as they are ...
See more »

Connections

Followed by A Pigeon Sat on a Branch Reflecting on Existence (2014) See more »

Soundtracks

Jag har hirt om en stad evan molnen
Lyrics by Lydia Lithell
See more »

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User Reviews

 
A slice of life unlike any other
20 May 2008 | by MOscarbradleySee all my reviews

You can't really call Roy Andersson prolific, (6 films in 37 years). Nor can you accuse him of being conventional; he doesn't do 'straight-forward', at least when it comes to narrative. "You, the Living", his first film in seven years, is like a surreal documentary in which a large number of characters are observed doing nothing very much and if that sounds off-putting, let me assure you it isn't. This is a funny, accessible and surprisingly warm-hearted movie, a slice-of-life far removed from that which we normally see on the screen.

Of course, 'slice-of-life' is hardly the proper moniker to apply to this movie since most people's lives are unlikely to be anything like this. The incidents on the screen run the gamut from the almost terrifyingly ordinary to the downright wacky and while characters may flit by, sometimes never to be seen again, others to reappear as if anxious for approval, Andersson bestows on them all a kind of benign affection. That, and some rollicking music, ensure the time we spend with them is time well-spent.


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