You, the Living is a film about humankind, its greatness and its baseness, joy and sorrow, its self-confidence and anxiety, its desire to love and be loved.
Where are we humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
Director:
Roy Andersson
Stars:
Lars Nordh,
Stefan Larsson,
Bengt C.W. Carlsson
Sam and Jonathan, a pair of hapless novelty salesman, embark on a tour of the human condition in reality and fantasy that unfold in a series of absurdist episodes.
Director:
Roy Andersson
Stars:
Holger Andersson,
Nils Westblom,
Viktor Gyllenberg
Two teenagers fall in love over the summer, in spite of cynical and disapproving adults who dismiss their relationship as being nothing but young love.
A plain, ordinary man tells us about his work as a real-estate broker, his dead father, his ordinary home and so on in a naturalistic voice, lacking any emotions, looking straight into the ... See full summary »
Director:
Roy Andersson
Stars:
Klas-Gösta Olsson,
Lennart Björklund,
Christer Christensen
In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called... See full summary »
In ABOUT ENDLESSNESS we are guided through the world by the soft voice of a woman. It is a sort of fairy voice, a Scheherazade telling us the eternal story of the lives and endeavour of ... See full summary »
Director:
Roy Andersson
Stars:
Ania Nova,
Lesley Leichtweis Bernardi,
Martin Serner
A series of scenes that focus specially on a single idea, emotion or act us. In the absence of interfering qualities this film is able to take one factoring influence and amplify it to absurd and hilarious proportions. Each scene gives us an uninterrupted view at some of the more unglamorous characteristics that in the end determine who we are, both as individuals and as a thread in the patchwork of the collective human unconscious.Written by
kwedgwood@hotmail.com
Every scene in the movie except one is shot in studio. See more »
Quotes
Mia:
Serving non-alcoholic beer with food that smells so good. It's torture!
Uffe's mother.:
I only want what's best for you.
Mia:
Best! Is this what's best for me? Enduring this damned existance... with all the shit and deceit and wickedness and staying sober? How can you expect or even want a single poor bugger to put up with it without being drunk? It's inhuman. Only a sadist would demand that.
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I laughed out loud several times during this film though give it a cursory glance and you would think it was something else altogether. I adore the pace and the way it slowly burns into you as you are presented these gobsmackingly beautiful tableaux. Andersson gives us something else here. Shows us something I had not seen since his last film. He is compositionally exceptional and via his method of fixing the camera and allowing action to take place before us, he opens the door on humanity and we peer into a place that reflects our own lives, our little lives. It is powerful stuff. It is the simplicity with which he allows the events to take place that creates the opposite feeling of complexity. Everything in front of the camera is anything but simple. Andersson's attention to detail is extraordinary. I believe most scenes, if not all, are sets built from scratch according to his designs. I cannot recommend this film highly enough. For me it took me to a place and I came out of it having witnessed a world frayed and beautiful, starched and pained, barren and splendid. At once alien and familiar. This film is brilliant and life affirming. I know because I came out smiling feeling wonderful. It has taken him seven years to make this. If he only made this one film he would still be up there with the greats.
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I laughed out loud several times during this film though give it a cursory glance and you would think it was something else altogether. I adore the pace and the way it slowly burns into you as you are presented these gobsmackingly beautiful tableaux. Andersson gives us something else here. Shows us something I had not seen since his last film. He is compositionally exceptional and via his method of fixing the camera and allowing action to take place before us, he opens the door on humanity and we peer into a place that reflects our own lives, our little lives. It is powerful stuff. It is the simplicity with which he allows the events to take place that creates the opposite feeling of complexity. Everything in front of the camera is anything but simple. Andersson's attention to detail is extraordinary. I believe most scenes, if not all, are sets built from scratch according to his designs. I cannot recommend this film highly enough. For me it took me to a place and I came out of it having witnessed a world frayed and beautiful, starched and pained, barren and splendid. At once alien and familiar. This film is brilliant and life affirming. I know because I came out smiling feeling wonderful. It has taken him seven years to make this. If he only made this one film he would still be up there with the greats.